tigers jaw
Interview: The Front Bottoms
The Front Bottoms recently released their highly anticipated sophomore album, Talon Of The Hawk to critical acclaim. You can read our review of the album here. I got the chance to talk to Brian Sella, vocalist/guitarist of the band, just before he and the rest of The Front Bottoms head off on their nationwide tour of the US beginning on June 1st. You can pick up the record in vinyl, digital or CD form and read the full interview below!
Your highly anticipated new album Talon of the Hawk came eight days ago, how excited were you to share it with the fans? Where did the album name come from?
Extremely excited!! We are super proud and stoked for people to hear it. The name came from our imaginations.
How has the addition of two new members, Tom Warren and Ciaran O’Donnel, impacted the band’s sound compared to the self-titled? How did you choose them?
We didn’t choose them… they’re handsome friends of ours. They added a edge to Talon of the Hawk that made the sound fuller than the self-titled album.
So you chose to work with a producer and record in a studio for this album, how did that experience go?
It was a great experience, one that all of us are glad we got to be involved in. The record sounds the way it sounds because of the circumstances we recorded it in.
Where did the inspiration come from for the songwriting process?
A lot of the inspiration for this record came from the road and the experiences we have had over the past two years.
Oh, I see. So while on the road what bands do you all listen to in the van?
A lot of different stuff. Off the top of our heads: Foxy Shazam, Built to Spill, K.D, The Menzingers, Bad Books, Modest Mouse, Cheap Girls, Tigers Jaw..
On the topic of touring, after your month-long tour of the United States, what’s next?
We plan on touring a bunch more. Just keep on keeping on.
Any last words?
Just a big thank you! Rock and roll.
Review: Balance and Composure – Separation
Balance and Composure – Separation
Released: May 10, 2011
Label: No Sleep Records
Purchase: iTunes | Insound | Amazon
Fans of Balance and Composure have been eagerly awaiting a full length release for quite some time now. After releasing two mature EPs and arguably the better side of a split with Tigers Jaw over the last three years, Balance and Composure finally appeased fans with news of Separation, comprised of twelve tracks.
Upon first listen, however, it’s quite possible avid followers of Balance and Composure will be disappointed. Moving towards a more streamlined sound definitely contributed to a loss of “oomph” and raw emotion from the band’s music. However, this more concentrated approach does give Separation a sense of cohesiveness and focus, attributes vital to a successful album.
Separation excels most on songs where Balance and Composure’s 90’s influences are the most apparent. “Stonehands” delivers in this aspect, showcasing both emo and grunge influences, though vocalist Jon Simmons tends to sing a bit nasally especially on words with “long e” vowels. A better culmination of 90’s style and Simmons’ vocal performance is the title track. On the chorus, Simmons utilizes his perfected “sing scream”, a gritty yell, but with definitive pitch. It’s a technique Jesse Lacey of Brand New and Andy Hull of Manchester Orchestra also use, though Simmons’ style feels more passionate.
As a whole, though, Separation seems like more of a turn towards alternative rock. While Balance and Composure do perform this genre with ease and more than competently (take the southern rock vibe of “Galena” or grit and angst of “I Tore You Apart In My Head” for instance), at times the record leans toward typicality, most notably on “Void”, an unfortunate pick for an album opener.
The loss of emotional immediacy might be due in part to the album’s generally flat production. Producer Brian McTernan’s past work has been inconsistent, dipping especially on Emarosa‘s latest self-titled release. WhileSeparation is definitely an improvement for McTernan, the drums sound tinny and lack tone and it’s nearly impossible to tell the band has three guitarists. The production just doesn’t feel as dynamic or raw as a band like Balance and Composure, one who thrives on straddling the crossroads of technicality and passion, needs to fully excel.
However, after multiple listens, Balance and Composure’s passion permeates McTernan’s iffy producing job. Tracks like album standout “Patience” exude intense feeling in the music. Balance and Composure mean every lyric, every guitar strum, every bass line, and every snare hit. Though perhaps Separation only fully demonstrates this with the listener’s patience (yes, I went there), the album isn’t a regression from past work. Balance and Composure is still miles ahead of most other bands operating in their genre. The reason?
Authenticity.
7.7
Standout Tracks: “Patience”, “Galena”, and “I Tore You Apart In My Head”
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