MP3: Lil B – “NYU (Prod. Emerald Ruins)”
Below, you can see my interview with Emerald Ruins. There’s no denying his talent (listen to “Find Out” and “Stay” below) and considering how young he is, there’s no doubt in my mind that he’ll have a long and productive career ahead of him.
You’re 15, correct? When did you start producing and how did you learn?
Yes, I’m 15 years old — think I started producing at around age 13. I don’t really remember what inspired me at the time to want to start making music but it must’ve been something dope, I was a big Ja Rule fan at the time, as was everyone else, so no doubt some heavy influence comes from them. I downloaded the FL Studio demo and shit was a headache, and since I was using the family computer which was in the living room, I couldn’t really be on it too much to play around on it cause someone always needed to use it. So it wasn’t until like 14 that I knew about mixing and mastering and effects and all that producing bullshit that keeps a song from sounding good to sounding amazing. Now, I’ve learned my way around the program and making music is funner because of it.
Where do you find your samples?
I find my samples everywhere man. YouTube, vinyls, forums, cassettes, CD’s, 8-tracks, commercials, toys, outside, anywhere — I hear a dog barking and look up dogs barking on YouTube and add that in my music, I play a video game and hear some spacey ambient shit and look up the soundtrack and sample that. Samples are everywhere mayne.
Is it hard balancing your music with school or are you able to keep both of those worlds fairly separate?
It’s not really hard balancing the two: if you took music away from me I’d probably still be getting the same grades I get, which are mostly C’s.
What’s it like working with Lil B, perhaps one of the most prolific artists currently out?
Working with the Based God man, it’s pretty dope cause now I have that under my “belt,” nahmean? Like if I want to work with someone I can say, “I’ve worked with Lil B,” and that’ll like, increase the chance of them wanting to work with me. Pretty cool.
Are you two working on anything else in the future?
Lil B has told me to keep sending him beats. He gave me his other contact info so he still wants to work with me, which is cool. So yeah, we’re working on some stuff.
Do you think you’ll be able to take a similar route as Clams Casino did after working with Lil B?
I sure hope so, Clams Casino is probably my favorite “new” producer at the moment, hearing rappers over his dreamy-spacey ass shit is like, fresh, you know? Like it’s something different and I really like that, I hope to take the same route Clams did and end up working with some really buzzing up-and-coming artists. Only time will tell I guess.
You’re young — from your perspective, what’s right and what’s wrong in the music industry today?
The music industry, well to be honest, me being as young as I am, I don’t really see much wrong with it other than Pitbull, that cat needs to chill it ain’t funny anymore DALEEEEEEEEE MR 305 WORLDWIDE enough of that shit. Oh and there really isn’t much variety in mainstream radio music, it’s mostly all generic house, but I dig most of it. Overall I think the music industry is fine, I read and hear from many industry artists that the industry is evil and fake and all that but until I experience that myself, it looks like an okay thing to me.
Where do you hope to be in about a year’s time? Are you hoping to turn this into a career someday?
In a year, I hope to have a pretty good following, artists everywhere wanting to work with me, and just you know, being bigger than I am now. That was my goal last year, and now I’m doing interviews like this, working with Lil B, getting my music posted on the Weeknd’s tumblr (which doesn’t exist anymore, sadly), more rappers asking for beats than last year, and basically am bigger than I was last year… so I’ve accomplished last years goal, now to double that this year, we’ll see how it goes, haha.
Anything you want to add?
Not much, thanks for the interview, and to artists: send me a message or tweet or anything if you make good music and want to work with me! Would like to thank everyone who been supporting me and listening to my music, who been sharing my music, giving feedback whether it be positive or negative all feedback is appreciated, thanks to my fam they dope and supportive, everyone who’s been apart of my music all of that, thank you and keep looking out for me and my music! Thanks.
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About a year ago, some of us blogger folk decided to band together for a series of Monday Mixer playlists. We’ve proudly joined forces again to restart the series – bigger and better than ever before. Blog Tapes, the new mixtape collective featuring our favorite music blogs on the Internet today, kicks off today with its very first mixtape: 8 hand-picked songs from artists that are all playing at this year’s Coachella festival. Give it a listen above!
It’s rare in music for something to completely transcend the strict boundary lines that separate genre from genre. For some reason, we feel the need to box what we listen to into such explicit categories that we’ve even created subgenres within genres and so on. Dream-pop? Surf-rock? Seriously? Since stunning audiences with 1996?s Endtroducing….., the very first album to be recorded using only sampled sounds, DJ Shadow has somehow managed to consistently avoid being defined by labels. By blending songs from all areas of the musical spectrum, DJ Shadow’s sample-heavy music is a fantastic look into the world of music that doesn’t have to be classified to be enjoyed. Seriously. – Frank @ Lost In The Sound
I’ve been a fan of this Seattle band for awhile. They’ve only released their debut album but they have a treasure trove of unreleased materials like “No One To Let You Down” to listen to and fall in love with. – Ian @ 1146 Miles
I thank my sister for my love of Grouplove, the 7? of Colours was a birthday present from her, chosen because of it’s excellent cover. Anyone heading to Coachella needs to put these guys near the top of their lists if only for the huge rolling choruses which have the noise of Doolittle-era Pixies and the energy of any festival headline act. The outro alone is made for mud-spattered singalong sunsets. –Marcus @ A Pocket Full Of Seeds
Brad Oberhofer deals in sun-ripened throwback fuzz-pop that is practically tailor made for singing along to in big crowds. You bet your ass I will be up in the mix belting out all the big “OOoohhs” during “Gotta Go.” In fact, the whole jam is prime sing along material. It’s Oberhofer’s thing. A handful of other Oberhofer gems are kicking around the internet and debut LP Time Capsules II is out now. If you don’t know these guys then skip the pool on Sunday and get to the Mojave Stage at 1:10 to join the sing along! – Brandon @ The Burning Ear
Scotland has always had a rich heritage of music, but it is the emotive and fierce We We Promised Jetpacks that are carrying the Saltire with pride at the moment. The band have come a long way from their debut album, keeping the desperation and energy, but have now found a little warmth in their hearts as here in Act On Impulse. – Tim @ The Blue Walrus
One of last year’s discoveries that I’ve been keeping an eye on has to be Greece’s Keep Shelly In Athens. Seemingly coming out of nowhere to making it to the Coachella stage in the matter of a year, their set is sure to bring the perfect early afternoon vibes to the early afternoon crowd. I only hope I can drag myself to the fest early enough to see them myself. – Chris @ dailybeatz
I’m not going to Coachella but if there’s one act I’d rush to see in a festival setting it would be Death Grips. The trio twist punk, hardcore and hip-hip into antagonizing soundscapes fit for a slaughterhouse. Their rhythm and noise formula is a fist in the air, fuck the system blast of energy well-suited for losing your mind under the hot desert sun. Tear the tents down! – Veronica @ Cream Team
It wasn’t a surprise to me that this year’s Coachella is heavily EDM. The somewhat underground movement have been brought to the main stage- plus a DJ is many times cheaper than a band so the decision makes a lot of sense economically. Kaskade is my favorite dance act of the festival. His Fire & Ice album, released back in October 2011, is the reason I’ve been dying to see him live ever since. – Ben @ The Metropolitan Jolt
You can listen to the entire unscripted 80-minute lecture below. Or you can check out the full transcript of the lecture here.
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