Posted in Album Reviews

Review: Ambassadors – “Litost”

Ambassadors – Litost

Litost

Released: January 16, 2012
Label: Unsigned
Purchase: iTunes

I am surprised by the absence of publicity for Ambassadors and their most recent record Litost. In 2006, the band started to get going, when unfortunately their keyboardist Casey Harris ended up in the hospital, needing a kidney transplant to survive. During that time, the members separated temporarily and Sam Harris went on to write much of what is now Litost.

This release appeals to indie rock fans as it provides both calm tunes such as Litost, and head nodding tracks like Unconsolable. The standout feature from this album is the raw emotion implemented in the songs, as I have always been a fan of vocalists who mean the words that are being sung. Once word spreads about this album, people will acknowledge this underrated band, and help propel them to the recognition they deserve.

 

Standout Tracks: “Falls”,“Unconsolable”,“Lay Me Down”

8.0

Tracklisting:
1. Weight/Lightness
2. Falls
3. Unconsolable
4. Litost
5. (O Death)
6. Lay Me Down
7. Caged Animals
8. Bodybag

Review: Castlecomer – “Danny’s Den”

Castlecomer – Danny’s Den

Castlecomer Album

Released: March 30, 2012
Purchase: iTunes

Forming in late 2010, Castlecomer finally unveiled their debut release on March 30th, 2012 and did not disappoint. Armed with their high-energy shows, combined with their flawless five part harmonies, Castlecomer are one of the most exciting indie bands that Australia has to offer.

Castlecomer began their journey as a band by posting videos of both original songs and covers on YouTube including Mumford and Son’s The Cave, and Passion Pit’s Take A Walk. These fantastic videos led to fans around wondering, and near begging them to release an album.

On March 30th Castlecomer finally released their six song EP entitled, Danny’s Den. Tracks include songs that are found on their YouTube channel, as well as songs that have not been heard before. The EP is not what was first expected, as on YouTube all of the songs were played acoustically with a strong focus on the harmonies, however on the album there is a lot more use of electric guitars and drums, but this does not take away from their harmonic melodies. Even though it was different to what I was accustomed to, it was still successful, selling 1,200 hard copies, and 1000 digital copies. These five boys from Sydney are starting to make a name for themselves.

Fans, much like me, are eagerly waiting the next EP to be released, as they have only posted more covers such as Coldplay’s Till Kingdom Come and The Lumineers‘ Ho Hey. But they haven’t released any new material, so no one knows what to expect. Luckily there shouldn’t be a long wait as they have already finished the recording for the second EP, and it is due for release sometime in early 2013. If you enjoy indie folk bands with spot on harmonies, Castlecomer is a band to look out for. Check out their Facebook and YouTube pages!

8.5

Review: Ben Howard – “The Burgh Island EP”

The Burgh Island EP

 

Released: October 31, 2012
Label: Island Records
Purchase: iTunes | Amazon

After his sensational debut album Every Kingdom, Ben Howard’s newest release The Burgh Island EP has not disappointed. Though fans have come accustomed to the smooth, acoustic, folk songs experienced in the album, The Burgh Island EP demonstrates a darker side to his songs, highlighted by the use of the electric guitar rather than his usual acoustic self. Yet the gritty, and albeit, gloomy sounds does not take away from the emotion and soul that is put into the lyrics and songs themselves. The songs were all inspired by his memories from surfing the beaches of Burgh Island, which leads to question, why create a darker tone for the songs?

Though fans and listeners would agree that the sound of this EP is completely different, it does not mean it’s a bad change. The opening track “Esmerelda” begins with eerie sounds, which grow more powerful as the song progresses through the beats, perfectly complemented by the rasp in his voice. The second track “Oats In The Water” on the other hand uses the electric guitar differently by creating a more bluesy electric sound, thus producing a more calming and memorable vocal melody. My personal favorite track of this album is the final one appropriately titled “Burgh Island”. This track most resembles the style of songs portrayed in the  album Every Kingdom. Much like Ben Howard’s popular track, “Black Flies” it’s a mostly calm song throughout, but has a powerful punch in the middle and near the end. Though it is not as catchy, it will definitely be a favorite to those fans of Every Kingdom.

This album also excites me as it demonstrates that Ben Howard doesn’t have just one style, but illustrates that he has a variety of styles, leaving fans wondering, what will he do next? For those following Ben Howard, he will be touring in New York, New Jersey and Virginia, for a week beginning February 11th with another of my personal favorite bands Mumford and Sons.

8.0

Standout Tracks: “Esmerelda” “Burgh Island”

Track listing:
1. Esmerelda
2. Oats in the Water
3. To Be Alone
4. Burgh Island (feat. Monica Heldel)

Review: Beach Fossils – Clash The Truth

 Beach Fossils – Clash The Truth

Peter-Campus1small1-720x720

Released: February 19, 2013
Label: Captured Tracks

 

Beach Fossils sophomore record Clash The Truth is set to be released on February 19, 2013. Following their self titled release in 2010, Beach Fossils became well known for their catchy Jingle Jangle styled guitar riffs in songs like “Sometimes” as well as their electrifying stage presence. After several members moved on to side projects, Dustin Payseur began writing Clash The Truth  “determined to capture the urgency, human flow and spontaneity of the live performance.” This goal for the record  has shown to be a trouble for many bedroom recording styled bands. Many lo-fi bands have spectacular albums, but the dreamy and somber melodies don’t  always translate to a live show.  Yet with this presence of urgency, Clash The Truth doesn’t lack in energy throughout every track.  The excitement in the tracks give off a punk rock experience with a shoe-gaze styling.

The progression of Beach Fossils sound in Clash The Truth is near perfect, they translated the lo-fi bedroom recording style to a well tuned studio project. I initially had some fear that their highly praised vibes would lose their originality, yet the album beautifully captures Dustin’s vision. Clash The Truth is much more instrumentally complex than the records before; with each track standing out more individually, yet still creating one complete record. This is most prevalent in songs like “Sleep Apnea” that bring in a more acoustic presence whereas “Caustic Cross” has  more energy and power in the guitar. Another great addition to the album is the development of the drums. The drums are much more established in the album, “the drums were recorded live in a room with Dustin on bass to give the album a driving and energetic force.” In previous records the drums have a presence but appeared to be very simple,  I never found myself mesmerized by the beat.

While this album is one of my favorites, and well deserving of a listen, there are some weaker points to the album. Oddly enough, I felt the title track along with the previously released track “Shallow” didn’t live up to the rest of the album. When Shallow was first released a year ago, it wasn’t as enchanting as songs like “What A Pleasure”. It generated no anticipation or excitement for the rest of the album. The title track is a nice melody that eases into the rapid pace of the album, yet I felt a lack of connection with the song. It has a catchy aspect to it, yet that wasn’t a highlight for me.

Following the release of Clash The Truth, Beach Fossils will begin touring through the US and Canada. All of the tour dates can be found on their Facebook Page. The song “Careless” is available for free Stream or Download below.

8.0

Standout Tracks: “Sleep Apnea”, “Crashed Out”, “Generational Synthetic”

Tracklisting:
1. Clash the Truth
2. Generational Synthetic
3. Sleep Apnea
4. Careless
5. Modern Holiday
6. Taking Off
7. Shallow
8. Burn You Down
9. Birthday
10. In Vertigo [ft. Kazu Makino]
11. Brighter
12. Caustic Cross
13. Ascension
14. Crashed Out

Review: The Smith Street Band – Sunshine & Technology

The Smith Street Band – Sunshine & Technology

Released: August 24, 2012
Label: Poison City Records
Purchase: Poison City Records

In the past year, I have become very fond of the wave of bands coming from Australia, with a folk-punk aesthetic. In particular, The Smith Street Band, a five piece band from Melbourne whom I interviewed earlier this year which can be found here.

Their sophomore record, Sunshine & Technology, released on August 24th, has had high expectations after their first LP No One Gets Lost Anymore which didn’t have a single track that disappointed. Self-described as “Folk Party Punk” with the most honest lyrics I have ever heard, Wil Wagner, does not take the same approach to his songwriting as many current day bands do. Instead of arrogantly trying to make his lyrics appeal to every listener, he writes very personally about emotions, mishaps, parties, and his views of society. In “I Want Friends”, he howls out social commentary and a way to live life through “exist[ing] between the margins, not between the lines.”

Sunshine & Technology is more band orientated than their debut album, as opposed to solo songs With added guitars and drums, each song now is much fuller and definitely written with the entire band in mind. The beloved, distinct Smith Street Band sound with their addictive folk melodies, backed up by punk-esque sounding guitars and a rhythmic drum beat is present in this release. My personal favorites alongside “I Want Friends” which I mentioned previously, are “Tom Busby” and “Don’t Mention The War” for their sound and Wagner’s lyrical genius. “The things you loved started gathering dust years ago. You know more than anyone would give you credit for, we’re killing ourselves to live the best life possible.” (Tom Busby). The final song that allows the album to end with a bang, “Don’t Mention The War” escalates to a cohesive masterpiece with each instrument playing loudly as Wagner cries out above everything.

The Smith Street Band are first doing a national tour of Australia which has already commenced, followed by a nine day stop over in China for six shows and then a month in the U.S. Tour details can be found on their Facebook page, and the Poison City Records website.

This album, alongside their debut album, are my version of the 90’s generation’s Nevermind by Nirvana. Sunshine & Technology is an album not to be ignored, and is sure to receive critical acclaim. It can be purchased in mp3 format from iTunes and in CD and vinyl record from the Poison City Records website. You can also listen to a free stream of the album here.

9.0

Standout Tracks: “I Want Friends”, “Tom Busby”, “Don’t Mention The War”

Tracklisting:
1. Sunshine & Technology
2. I Can’t Feel My Face
3. I Want Friends
4. Why I Can’t Draw
5. Stay Young
6. What’s Changed
7. Tom Busby
8. Young Drunk
9. When I Said Us I Meant Them
10. Don’t Mention The War