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Odd Future, My Daughter and the Art of Button Pushing

If anyone’s dying of overexposure, it’s Odd Future. Not that attention shouldn’t (or won’t) be paid to the most fresh-faced band of nihilists to hit the airwaves in pretty much ever. After all, if someone’s going to continuously press the “rape” button, you can’t be surprised if everyone comes running to verbosely attack/defend the button pushers.

I’m not going to rehash the million justifications or re-cry the millions of tears shed for the whole of humanity. My personal stance is basically that it’s artistic expression and as such, leave it the hell alone. There’s a ton of stuff out there I won’t put myself through but I’m not going to stop anyone else from trawling the outer limits of art, no matter how offensive it might be to myself or others.

My personal take on Odd Future and their lyrical transgressions goes something like this. (Not that you will or even should care necessarily, but I’m still on this side of the keyboard, so here it goes.)

I have kids, including a teenage daughter. For no logical reason, I would not have a problem with her listening to Odd Future. (Obviously, this would probably be cause for concern at her school, especially if she made a big deal out of listening to them. But schools are constantly concerned about one thing or another and ten minutes later, a student is talking to a cop because of a t-shirt they wore or for alleged stapler possession or whatever.)

The logical catastrophe is that I would have a problem with her hanging out with people who listened to Odd Future. Outside of a few vetted friends that have provided some context as Normal Human Beings, my instinctive reaction would be to cultivate a deep mistrust of these young nihilists in the making, who in no way are appreciating Odd Future on the same level I presume I am. No, they’d be all about the dirty words and vicarious thrills. I’d follow this bit of presumption by parking the vehicles in the garage (with the alarms on) and banishing her to her room until age 22 (release dependent on a useful college degree — none of this Art Major horseshit).

Even more illogically, I’d feel better about her hanging out with Odd Future fans if she was the one who introduced them to the group. This would still be the same set of people and yet, I would view her as a Forward Thinker bringing controversial culture to a bunch of directionless, hormonal teens.

Why is that OK? The vicarious thrill of latent music snobbery. Because I introduce her to Odd Future, it therefore follows that she introduced Odd Future to them, thus making me (once again) Correct About Music.

At this point, I’ve read more lyrical quotes than I’ve actually listened to and I’ve read a million more critical pieces, both pro and con, all of which have solidified my feeling that Odd Future operate better as a caricature than a Threat To Humanity.

Still, the underlying threat is not completely nonexistent. As a parent and a human being, the feeling that someone, somewhere will view Odd Future as guidance counselors rather than entertainers is unshakable. With that coloring my reaction, it boils down to Odd Future being OK for me and my offspring, but not you and yours because yours (as an unknown quantity) will always have a greater capacity for evil than my own, not to mention they are more easily swayed by peer pressure than mine. Obviously.

But, isn’t that the purpose of art? To provoke reaction? And if so, is just getting a reaction enough? Yes. Yes. And a qualified yes. The last qualification is that if provocation is all you have, you’re on the fast track towards “shtick.” Ask Serrano. Piss Christ annoyed a hell of a lot of Christians back in the day, but when it comes to pushing buttons, pounding on fundamentalists is kid stuff. Other religions will kill you for blasphemy. Beating up on Christianity just puts you into the opening paragraph of a million chainmailed petitions. And when Serrano states that his future endeavors will involve using “feces as a medium,” maybe it’s time to stop handing out the title “artist” so freely.

Odd Future have clearly stated that they want to piss off  “parents and old people who live in Middle America.” Trust me, you don’t need to go this far to piss those people off. The first group gets pissed off whenever someone suggests adding a vegetarian option to the school lunch menu and the latter gets pissed off simply because you’re “not from around here.”  If these are your targets, you’re painting yourself a pretty generous target.

If you want to push past the easy thrills of provoking the easily-provoked, you’ve got to take aim at your supporters and put them through the wringer now and then. You can transcend but you’ve got to aim higher. Musicians have been pissing off Middle Americans since the early days of jazz. Odd Future, I’m behind you but you’ve got to push harder. More importantly, you’ve got to push better.

(By the way, I take back most of what I said about your kids, readers. It’s the instant superiority granted by subjective parental views that turns your kids into criminals and sex fiends and mine into misunderstood saints who are just “going through a phase.”. I’m sure they’re all wonderful human beings who would be welcome to stop by my house during Normal Visiting Hours.) [I should also get over the idea that I can control what my teenage daughter will or won’t listen to.]

Listen: Mike G – “Chevron” (Prod. Hodgy Beats)

 

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Mike G is often overlooked in the Odd Future family, especially considering his laid back attitude and calm, chill flow. He’s definitely one of the group’s more talented rappers though, and he proves this on a brand new track entitled “Chevron”. Posted on the Odd Future Twitter account, the new track is produced by fellow member Hodgy Beats (who knew Hodgy produced too?) and features Mike spitting some sweet rhymes. Don’t sleep on this one.

MP3: Mike G – “Chevron” (Prod. Hodgy Beats)

 

“Chevron” will be released on Mike G’s forthcoming Award Tour EP.


Single: Pusha T – “Trouble On My Mind (feat. Tyler, The Creator)”

Track: “Trouble On My Mind (feat. Tyler, The Creator)”
Artist: Pusha T
Release Date: July 9, 2011
Label: GOOD Music/Def Jam

Pusha T always has his drugdealer past on his mind (and in his verses), but this time, the Clipse rapper teams up with Odd Future‘s Tyler, The Creator to discuss the trouble on his mind. The first single from Pusha’s upcoming mixtape Fear of God 2: Let Us Pray, “Trouble On My Mind” features simplistic, atmospheric, and ultimately haunting production from The Neptunes and three on-point verses. Pusha spins a story about his troubled past before handing the mic to Tyler, who delivers a maniacal verse in his signature style. The two then split the third verse, with Tyler referencing his highly-successful single, “Yonkers”, and Pusha T closing by addressing the mismatch between himself and Tyler: “This is for the critics who doubted the chemistry/Two different worlds, same symmetry.” Thankfully for us, he’s right; despite the stylistic differences on paper, the collaboration simply works.

“Trouble On My Mind (feat. Tyler, The Creator)” is from Fear of God 2: Let Us Pray, set to be released on August 23, 2011 via GOOD Music/Def Jam.

Rating: 8/10


Watch: Mellowhype – “64”

The Odd Future group Mellowhype, composed of rapper Hodgy Beats and producer Left Brain, have released their first ever music video, set to the previously unreleased “64”. Last year, the duo released their sophomore full length BlackenedWhite on their Tumblr, which will now be rereleased physically by Fat Possum on July 12th. The new reissue is revamped with new artwork and new songs, one of which is the aforementioned “64”. Check out the new tracklisting and the music video below.

Tracklisting:

01 Primo
02 Gunsounds
03 Brain (feat. Domo Genesis)
04 64
05 Loaded (feat. Mike G)
06 Deaddeputy
07 Right Here
08 Igotagun
09 Fuck The Police (feat. Tyler, The Creator)
10 Rico (feat. Frank Ocean)
11 Circus

New: Domo Genesis – “Boss’ Life”

Odd Future‘s Domo Genesis took to his Twitter page last night to release a brand new track entitled “Boss’ Life”. Domo raps for a minute and 45 seconds over Snoop Dogg‘s original “Boss’ Life”, produced by Dr. Dre. The original can be found on Snoop’s 2006 release The Blue Carpet Treatment and features the late Nate Dogg, who provided the hook. RIP.

According to Domo, he recorded his verse over the song last night and then two hours later, decided to drop the track for his followers. The result? A chill track from Odd Future’s most laid back rapper. Look out for his new mixtape, the follow up to 2010’s Rolling Papers, which should be released sometime this year.

Stream the song or download it below.

Watch: Tyler, the Creator – “She (feat. Frank Ocean)”

Tyler, the Creator‘s Goblin receives its second set of visuals in the form of the Frank Ocean featuring track “She”. In his first video (for the song “Yonkers”), Tyler ate a cockroach, puked, and then hung himself, but today, he and his Odd Future friends return by creeping on the new girl on the block. You can watch the music video below.

Watch: Frank Ocean – “Acura Integurl”

Odd Future‘s Frank Ocean has released visuals to “Acura Integurl”, which features the 24 year old singer driving around town in an Acura MSX. $90k seems to be no big deal to Mr. Ocean, now that Def Jam is finally taking him seriously and will be rereleasing his album Nostalgia, Ultra. Check out the music video below.

Frank Ocean’s ‘Nostalgia, Ultra.’ to Be Released by Def Jam

When Odd Future‘s Frank Ocean released his debut album Nostalgia, Ultra. earlier this year as a free download, he took the world by storm, surprising even his own record label, Def Jam. The record label reportedly was planning on releasing Ocean’s debut album this year, but passed on it, which led to the singer to release the album on Tumblr like the other Odd Future releases.

Now, Def Jam have agreed to commercially release the album, announcing a release date of July 26th. The first single will be “Novacane”, which will be released on May 31st. We reviewed “Novacane” back in March, giving it a score of a 9/10.

Review: Tyler, The Creator – Goblin

Tyler, The Creator – Goblin

Released: May 10, 2011
Label: XL Recordings
Purchase: iTunes | Insound | Amazon

Fame is a rather unfortunate phenomenon, an idea that rapper Tyler, The Creator certainly understands. The past few months have been a whirlwind ride for Tyler and his Odd Future friends, from Tyler and Hodgy Beats’s fear-inducing performance on Jimmy Fallon to the formation of the group’s own Odd Future Records record label. Goblin, Tyler’s first official release on a record label, has been surrounded by an incredible amount of hype, blowing up the blogosphere and getting Tyler, as he puts it on the first song, “cosigns from rappers that I don’t even like.” This hype and the young rapper’s sudden exposure to fame undoubtedly affected the creative process Goblin, but is it for the better?

Unfortunately, no. Although Goblin features a much-improved Tyler – in terms of both lyricism and storytelling – the fame that Tyler is dealing with hinders the album and restricts his creativity, causing the album to fall well short of his first release, BastardGoblin, to put it simply, is weighed down by the burden of matching the massive hype and pressure surrounding it. In the days of Bastard, Tyler made music for himself, something he has stated in the past and again brings up on opening track “Goblin”, but now, his music is no longer just for him; whether he likes it or not, he has become a sort of cult hero and his music is as much for them as it is for himself.

His fans aren’t the only ones listening to his music, however. Because of his naturally dark subject material, Tyler is forced to qualify his lyrics, spending a large chunk of the album pointing out that his stories of killing and misbehavior are in fact stories. On “Radicals”, Tyler opens with the lines “Don’t do anything that I say in this song. It’s [expletive] fiction. If anything happens, don’t [expletive] blame me, white America.” For all intents and purposes, Tyler can be compared to a young Eminem, albeit one who is way more apologetic.

Apologies, precautions, and qualifications aside, the lyricism on Goblin shows a natural progression from the days of The Odd Future TapeBastard, and even last year’s Radical. He’s still an angsty, obsessed teenager with numerous problems and his favorite target is still his missing father. The one problem, however, is how erratically hit-and-miss his lyrical style can be, leading to the inconsistency of the entire album, one of the main flaws of the album. Goblin contains a few very good songs, but also a handful of very bad ones.

When Tyler is on his A-game, he is, in fact, a “walking paradox.” As Wolf Haley, he spins tales of misogyny, juxtaposing with Tyler’s vulnerability in his personal search for love; Wolf Haley commands his “Wolf Gang” followers to revolt against everything, while Tyler worries that people may blame him for others’ wrongdoings. The only problem is, cringe-worthy moments like the muddled “Radicals”, the utterly boring “Fish”, the swag-rap tribute “Bitch Suck Dick”, and the incredibly tedious posse-cut “Window” weigh down the album, especially due to the album’s length — 74 minutes of Tyler’s minimal beats, variety of voices, and Dr. TC-framed-dialogue.

Goblin is essentially and fundamentally very similar to his first album Bastard, featuring Tyler discussing his life problems with his counselor Dr. TC. The production is also incredibly similar; Tyler’s never been lavish with his beats, electing to take a minimal, jarring style similar to that of his idols The Neptunes. Unfortunately, his beats begin to bore as the album drags along, showing that Tyler still has plenty of room to grow. To put it simply, his other beats pale in comparison to the masterful, eerie beat of “Yonkers”.

Goblin, in essence, is a strong effort by the nineteen-year-old rapper. He provides an ominous yet introspective look into his life, showing that he is not entirely as indestructible as he seems. While it may not have lived up to the hype, Tyler and Odd Future are still breaking new ground with Goblin, building a huge following of extremely dedicated and loyal fans who will no doubt eat this release up.

6.2

Standout Tracks: “Yonkers”, “She (feat. Frank Ocean)”, “Tron Cat”, and “Golden”

Odd Future Debut New Songs “Analog” and “65” On BBC

Tyler, the Creator and Hodgy Beats of OFWGKTA dropped by the Maida Vale Studios earlier today with BBC Radio 1’s Zane Lowe. While there, they performed “Sandwitches” and debuted MellowHype‘s new song “65”, as well as “Analog”, a brand new song from Tyler’s forthcoming album Goblin. The new song features Hodgy Beats and is the latest song to surface from the rapper’s second album and the collective’s first official release. You can listen to the entire session here or check out “Analog” below, courtesy of Some Kind of Awesome.

Goblin is set for a May 10th release via XL Recordings. Check out the tracklisting below.

Goblin Tracklist:
01. Goblin
02. Yonkers
03. Radicals
04. She
05 Transylvania
06. Nightmare
07. Tron Cat
08. Her
09. Sandwitches
10. Fish
11. Analog
12. BSD
13. Window
14. AU79
15. Golden