British producer SBTRKT may still be hiding behind his mask, but his music is certainly making waves. His newest single “Pharoahs”, from his fantastic self-titled debut album, has received an artistic set of visuals, keeping things simple with multiple shots of guest vocalist Roses Gabor singing her lines over SBTRKT’s intricately-crafted post-dubstep beats. We still are unable to see past the producer’s mask, with randomly dispersed shots of him painting the camera with black paint and what seems to be a peak through the eyes of the mask. Abstract, mysterious, but beautiful — a formula that not only describes this video, but also his vibrant music. You can watch for yourself below.
SBTRKT is out now via Young Turks.
Adult Swim announced earlier today that rapper/skater collective Odd Future will be premiering their TV show Loiter Squad on their channel next year. The TV series will feature 15 minute long live-action episodes featuring sketches, man on the street segments, pranks, and music from the Los Angeles group. Produced by Dickhouse Entertainment (Johnny Knowville, Jeff Tremaine, and Spike Jonze), Loiter Squad will follow in the footsteps of Dickhouse’s previous works, including Jackass and Nitro Circus.
Tyler, the Creator has shown his directing prowess in the past, leading to his “Yonkers” video to win the VMA for Best New Artist and 22 million views on Youtube. His Thurnis Haley skits on Youtube should also provide a preview for the content we can expect on Loiter Squad.
Justice has just unveiled the music video for their new single, “Audio, Video Disco”. The new single is also the title of the new album, which will be released on October 25th. The song has gotten mixed reactions because the song is a lot different than their old sound, but we want to know what you think about the new song. Watch the video below.
New Orleans ambient drone duo Belong showed up out of nowhere with the 2009 vinyl re-pressing of October Language, an album recorded in 2004 and previously released in 2006. A followup album (Common Era) was released earlier this year. Not bad for a group that’s been around since 2002 and whose Allmusic bio refers to a followup album being due sometime in 2007.
Perhaps the glacial pace of Belong’s release schedule has something to do with the glacial pace of the music itself. “Late Night”, a Syd Barrett cover, coasts along at a beatless pace that redefines “languorous.” (No. Really.)
lan guour ous (adj.) – dreamy: lacking spirit or liveliness; “a lackadaisical attempt”; “a languid mood”; “a languid wave of the hand”; “a hot languorous afternoon”
1. See: Belong – Late Night
2. See also: These guys, whose 1995 album A Stable Reference defined languorous up until sometime between 2006 and 2009 (depending on which version of October Language you picked up), at which point Belong stole the definition away in broad dusklight under the cover of the space between the notes..
3. See also also: Low, whose pace is so languorous that time slows perceptibly during live appearances, rendering analog clocks unusable and a number of their fans late for work.
It’s a thing of gauzy, womblike beauty. The vocals fade in and out of the background (which is also the foreground, apparently). The track itself is something you experience more than you hear. It takes concentration to get everything out of it, but it’s well worth the effort, especially as it heads towards a muted roaring crescendo. (I realize that phrase seems to make no sense whatsoever, but LISTEN TO THE TRACK.)
Now, if your interest is peaked, head right over to Google and search up a storm. Thanks to a pile of writeups from some influential music blogs, Belong’s various pages have risen towards the top of the listings, resting comfortably between a stack of dictionaries. However, things haven’t improved much on the image side. Google doesn’t read minds (still in closed beta) so sorting by relevance is about as useful as sorting by dartboard.
Now, if you’ve decided to name your band after a common English word, you should know you’re engaging in a uphill battle for SEO hearts and minds. Of course, you could just go another direction and claim popular profanities for yourself, thus ensuring that every venue will now have to invest in asterisks in order to display your edited band name on the marquee. See also: Fuck Buttons, Holy Fuck, Fucked Up, Fukkk Offf, That Fucking Tank, The Fucking Eagles, etc.
Back before they took off, there was no better way to see if you’d forgotten to turn Safesearch back on than aquick image search for Fuck Buttons. Of course, now that they’ve become one of the more prominent Fuck groups, the natural progression of organic SEO has filled the search results with images off two guys assaulting a table full of electronics, rather than various orifices being assaulted by various appendages.
But what if you’re not as popular as the Fuck Buttons? What happens if your band name keeps unfortunate company, image-wise? Consider Nashville’s finest (only?) drag/witch house group, Party Trash. If you’re looking for some “relevance” from the image search, well… good luck. If you just needed an excuse to eyeballyoung party fiends in various states of disrepair/disrobement (now officially a word!), “Party Trash” is all you need to know. And that’s with Safesearch on.
Speaking of witch house, what if you’re knee deep in triangle cultists with names like GuMMy†Be▲R! andℑ⊇≥◊≤⊆ℜ and †‡† and other Unicode horrors? Bad news, surfers. Google has no idea what you’re looking for.
So between the witch housers who don’t want to be found, the drone rockers who like to hang with Merriam (and Webster –alternating Tuesdays) and the others who turn your office computer into an inadvertent Bacchanalian slide show, what’s Mr/Mrs/Ms Internet to do?
Go to a trusted source. [Insert self-promotional link to website here.]
Oh, but before you go, take a listen to this track from Belong’s latest LP, which shows the pair up to their old tricks, only faster, louder, harder and more melodic. If “Last Night” is a lullaby heard through a wall, “Perfect Life” is the daunting leap into a frigid, rushing river without ever escaping the noose.
Very few vocalists have been given as high praise as lead vocalist for the rock band Queen. Known as one of rock’s greatest entertainers, Freddie Mercury would have turned 65 today and the band is making this event a very special occasion. Today, Google’s doodle is dedicated to him. For this event, the band has uploaded the entire video ofLive at Wembley Stadium. You can watch the video below.
English singer-songwriter Laura Marling returns with her third album A Creature I Don’t Know, the follow up to 2010’s critically-acclaimed I Speak Because I Can. “The album is like a slap and a stroke,” Ms. Marling described to The New York Times, where you can now stream the album. “It’s done the thing it wanted to.”
A Creature I Don’t Know is set to be released on September 13th via Ribbon Music/Domino. Tracklisting available after the break.
A Creature I Don’t Know Tracklist:
01. The Muse
02. I Was Just a Card
03. Don’t Ask Me Why
04. Salinas
05. The Beast
06. Night After Night
07. My Friends
08. Rest in the Bed
09. Sophia
10. All My Rage
Lost In The Sound presents you with the first MiaoMix, a mix of songs put together by your’s truly. This will be a new feature on the site that I’ll update once every one or two weeks depending on the response for this one. This mix will attempt to stray from Lost In The Sound’s normal vibes. This week’s playlist is mostly electronic dance music, with mostly some house music and dubstep. Listen to the mix below. (A zip file of the playlist may be available if demand is great enough.)
Tracklist:
Pretty Lights – “Pretty Lights vs. Led Zeppelin”
Basic Physics – “Illmerican Dancer (Wolfgang Gartner // Avicii // Sofi)”
Paul Basic – “Daydream”
Avicii – “Penguin (Original Mix)”
Coldplay – “Every Teardrop is A Waterfall (Swedish House Mafia Remix)”
Daft Punk – “Aerodynamic (Specimen A & James D’ley Re-fix)”
Justice – “Civilization (LAZRtag Bootleg Mix)”
Zeds Dead – “Coffee Break”
So… this is a thing that happened…
For no discernible reason, Jack White has teamed up with the Insane Clown Posse and JEFF the Brotherhood to pay homage to the German affinity for all things anal[Editor’s note: Mozart’s “Leck Mich am Arsch”]. Since it’s been heavily reported and corroborated (and filmed), I’m relieved to note that this just wasn’t another fever dream resulting from an afternoon spent imbibing absinthe and pop rocks while filling out Mad Libs with the aid of a stack of Spin back issues.
While I can see ICP’s desire to work with actual artists, I’m more puzzled by White’s involvement. Perhaps the recent disbanding of the White Stripes has left him with an excess of free time, and lord knows there are only so many “interesting” mustaches you can grow. And I suppose JEFF the Brotherhood jumped at the chance to work with White but were (perhaps) not privy to all the details. (JTB walks into studio, sees ICP: “What the hell are you doing here? ICP: “Who the hell are you?”)
But, nonetheless, it has happened and there’s video proof. Enjoy?
And then there’s this:
Deftones‘ frontman Chino Moreno decides to throw his goatee into the ring and cranks out a witch house EP under the name †††. There’s nothing quite like an interloper insinuating himself into the genre du jour. This move will undoubtedly result in the unfortunately not-rare-enough double backfire as diehard Deftones fans reject this faster than a Canadian health care recipient’s body rejects a black market kidney. And the cool kids of death™ will have nothing to do with this nu-metal tourist.
See also: this statement from †‡† (a.k.a. Ritualz), who is upset that Moreno is stealing Unicode. The comment thread has clearly been given over to Deftones fans, whom I would gently like to remind that the band name is properly pronounced “Deft Ones.”
“Beth/Rest” may just be this year’s most polarizing song. The closer to Bon Iver‘s sophomore album, the 80’s style soft-rock lullaby both stunned and wowed listeners. In his review, our own Darcy Morgan loved the unorthodox style and commented on how only Justin Vernon could pull off such a risky song. Vernon himself has repeatedly defended the “cheesiness” of the song in interviews.
Now, a few months after the song’s initial release, Vernon has given us even more to talk about. In his session for NPR World Cafe, the singer-songwriter performed a highly stripped-down version of the song on a piano bench. That’s right — no saxophones, no solos, no cheesiness. Just a performance of “Beth/Rest” in its most basic form, including some deep, nearly spoken vocals in the intro.
You can listen to the song here, as well as performances of “Holocene” and 2009’s “Blood Baby”. You can also stream/download the MP3 below.
MP3: Bon Iver – “Beth/Rest (Solo Piano Version)”
The obvious influence is DJ Screw and his promethazine-addled pitch shifting, which lowered the beat to the pulse rate of coma patients and turned swaggering MCs into cocksure demonic forces sent from hell to inform you of their extraordinary rhythmic skills/success with the opposite sex/early years as a drug dealer.
Nattymari takes this and adds his own touches. Slowing things way down is a start, but it’s not as simple as that. You can hear the tape loop befouling of Chrome and Throbbing Gristle ricocheting around the soundscape, slipping off the spindle now and then with a burst of Chipmunk speed or getting hung up in the gears and grinding to a halt.
For example, take “K1LL K1LL”.
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