Head over here to stream Atlas Sound‘s new album Parallax. Atlas Sound is the solo project of Deerhunter lead singer Bradford Cox, who’ll be releasing his third album next week November 8th on 4AD Records. Also on the page are descriptions of four songs off the album from Cox himself in which he reveals ideas that were involved in his making of the album and collaborations with MGMT member Andrew Vanwyngarden.
Ariel Pink’s Haunted Graffiti, Kurt Vile, R. Stevie Moore (with members of MGMT) and more artists recently recorded a compilation album entitled Recorded for Japan to aid the relief effort in Japan. A hundred percent of the proceeds will be donated directly to the ongoing relief and reconstruction, with the money going to the Japanese Red Cross.
The compilation will be available on August 4 and is digital-only. You can purchase it here.
Recorded for Japan Track Listing:
01. Beige – Focus *
02. R. Stevie Moore (feat. Members of MGMT) – You Are Too Far From Me *
03. K. Heasley – Belief Match
04. Ice Choir – Two Rings (Hard Mix)
05. Chairlift – The Chase (Propaganda cover)
06. Pablo Picasso – Whip *
07. Kurt Vile – Been Searchin’
08. Kuroma – Running People
09. Acrylics – Sparrow Song *
10. Violens – When To Let Go *
11. Erika Spring – 6 More Weeks (Vacation Version) *
12. Patrick Cleandenim – In My Baby’s Eyes (After Dark Version) *
13. Regal Degal – Excuse Me Who Am I Talking To? *
14. Ariel Pink’s Haunted Graffiti – Thespian City (Live)
*in-studio performance
During their performance at the Beale Street Music Festival in Memphis this weekend, MGMT joined the stage during The Flaming Lips‘ set, with the two groups performing an acoustic version of MGMT’s well-known “Kids”. You can check out a fan-recorded video of the performance above.
A few days back, Andrew VanWyngarden and Ben Goldwasser also made an appearnce on stage with rapper-turned-rocker Kid Cudi at the Roseland Ballroom. Cudder and MGMT performed their single “Pursuit of Happiness” from 2009’s Man On The Moon: The End of Day. Fellow contributors Ratatat did not, however, make an appearance. Check out a fan-recorded video below.
Album artwork made its first appearance in 1938, when Alex Steinweiss introduced artwork over the previously, plainly labeled covers. This “invention” provided every album with its own unique identity and images that fans could associate their music with. When we think of an album, the first thing that often comes to mind is the cover; it’s become a peripheral of music that no album, EP, or single can do without, remaining with us even in the digital format.
The following twelve album artworks are not ranked in any particular order.
The flying sheep and dream-like atmosphere are this cover’s best features. The artwork has depth and gives you plenty to look at, especially the various contrasts that coexist (moon/wall and crow/wall with light and dark values, closet interior/wall with temperature values). The artwork just has a unique dream feel.
I have no idea why the astronaut is there, but this cover just looks, to put it simply, cool. Contrasting temperatures result in an odd feel that absolutely fits Brand New’s distinct rock sound. This feel is further expressed by the textures of the water and sky.
No stairs here to reflect the album title, but the cover looks fantastic nonetheless. The multi-hued red, green and blue colored strips of paper being layered have great visual texture and the fact that no two strips share the same tone (more or less) gives this cover a lot of interest.
This pop art styled cover designed by Stanley Donwood, who has done every Radiohead artwork since 1994, looks like something created digitally when in fact it (surprisingly) isn’t. It features a galaxy photograph layered with paint and interesting type that looks simple and fits Radiohead’s style of experimental music. The variety of color also serves to reflect the album title itself.
‘Psychedelic’ just about sums up this cover. Odd colors, an i-don’t-know-what’s-going-on scene, and the cartoony style makes the cover seem like it’s something you’d see in a weird dream or trip (drugs are bad for you, kids).
Clean cover, with something other than the generic rapper’s face or body photograph. From a distance, the red bars have strong dominance and clearly indicate the cover is of the 3rd installation of Jay-Z’s ‘Blueprint’ records. Closer up you notice the objects piled up which adds complexity and depth.
The artwork is absolutely amazing. Great photo-manipulation of the band members and the smoke they fade into. It’s something you definitely won’t mind looking at on your ipod.The background may be a tad simple when the complex photomanip is placed on top, but the Delphic typeface works to ease the combination.
Beautiful photograph with vibrant colors, giving insight to what the music itself is like. Nothing really much to say, just a wonderful looking cover.
Smoooth. A soft blue dominates the cover (plus hints of red), and gives off a fuzzy, mellow feel. The Killers’ logo typeface fits well too, although I’m not sure I can say the same for the buildings lining the bottom…
The cartoon style of this artwork by Takashi Murakami is great and the colors are extremely eye-catching. The illustration features West in a teddy-bear form (known as “Dropout Bear”, referencing an earlier record) being shot out of a colorful, vectorized who-knows-what. This is one creative rap album cover that sets it apart from nearly every other.
Green paint, white text. What else do you really need?
The feel of this cover is great. This artwork by Polish artist Valp is mysterious and just seems to fit the sound of Immersion. The colors are great, using a majority of cool green and blue while adding hints of warmer purple and red to increase interest. There is just so much going on here that some may not notice all the subtle elements of the art from a quick glance or from their music player screens.
Having just finished a European tour with MGMT, Smith Westerns are beginning a US tour this week. They will be joined by Yuck, over from the UK for the first time. Check out the tour dates below.
Tracklisting:
01/28 Nashville TN The End*
01/29 Knoxville TN Pilot Light*
01/30 Chapel Hill NC Local 506*
01/31 Athens GA 40 Watt Club*
02/01 Atlanta GA Drunken Unicorn*
02/03 Orlando FL Backbooth*
02/04 Tallahassee FL Club Downunder
02/05 Baton Rouge Spanish Moon
02/06 Houston TX Fitzgeralds*
02/07 Austin TX Emos*
02/08 Dallas TX The Loft*
02/10 Phoenix AZ Rhythm Room*
02/11 Los Angeles CA Echo*
02/12 Costa Mesa CA Detroit Bar*
02/13 San Francisco CA Bottom of the Hill*
02-15 Portland, OR – Doug Fir Lounge
02-16 Vancouver, British Columbia – Biltmore Cabaret
02-17 Seattle, WA – Crocodile Cafe
02-18 Boise, ID – Neurolux
02-19 Salt Lake City, UT – Kilby Court
02-21 Denver, CO – Larimer Lounge
02-22 Kansas City, MO – The Record Bar
02-23 Omaha, NE – Waiting Room
02-24 Minneapolis, MN – Triple Rock Social Club
02-25 Madison, WI – The Frequency
02-26 Chicago, IL – Empty Bottle
02-28 Toronto, Ontario – Legendary Horseshoe Tavern
03-01 Montreal, Quebec – La Sala Rossa
03-02 Boston, MA – Great Scott
03-04 Washington, DC – Rock and Roll Hotel
03-16 – 03-19 Austin, TX – SXSW
* = w/ Yuck
Spacemen 3‘s Sonic Boom has revealed the tracklisting for Panda Bear‘s new album, Tomboy. The album will be coming out April 19th on Paw Tracks, will have 11 tracks and according to the press release will be roughly 50 minutes long. Click here to check out the full post and see the tracklisting. Tomboy was recorded in Portugal by Panda Bear and mixed in New York by Sonic Boom (whose most recent work was MGMT‘s sophomore album Congratulations).
MGMT has released a new trailer for their new documentary, Camp MGMT. Check out the video over at AltPress.
Released: October 12, 2010
Label: EMI
Purchase: iTunes | Insound | Amazon
The Preview is exactly what it is packaged as: a preview. Standing as a placeholder for the duo’s upcoming debut album The Swelly Life, The Preview is an eight-track album: a perfect sampler of the group’s wide musical palette. For someone who may be new to the group’s music, this record is a perfect starting point, documenting their meteoric rise to fame.
“The main purpose of this release is to give our fans some new music while we finish recording our debut album, The Swelly Life. It’s called The Preview because it gives listeners a glimpse of what’s to come onSwelly,” says Xaphoon Jones.
The Preview features three tracks from the duo’s first mixtape, The Swelly Express, which was highly received and led to the group’s record deal with EMI. “Truth” features a sample from Passion Pit’s “Better Things”, “Opposite Of Adults” features MGMT’s “Kids”, and “All Things Go” samples Sufjan Stevens’s “Chicago”.
“Nothing On We” combines Chiddy’s clever, yet contemplative rhymes with the signature electronic beat from Xaphoon. Chiddy’s singing in the hook, oddly, slightly resembles Akon’s “Sorry, Blame It On Me” and features a shout out to Kanye West and his G.O.O.D Music record label with the line “And it isn’t what it seems / So just like Yeezy, we steady getting out our dreams / That’s G.O.O.D.”
Seventh track “Bad Day” samples the heartfelt Darwin Deez and while Chiddy’s verses are new, the remix itself is not. Xaphoon previously remixed the track on The Xaphoon Jones Mixtape Vol. 1, his first mixtape release. Serving as a perfect example of Xaphoon’s production talents, the synthesizer buzzing in the background is a great addition and keeps the track bouncing along at a fast pace. Chiddy’s rapping talents are also highlighted when clever lines such as “Happiness is a warm gun / Living fully loaded” are juxtaposed with somber reflections on how success has changed some of his relationships.
The record, much like the rest of the group’s work, is a fun, carefree listening experience. It should be taken into account that The Preview should be listened to and judged not as an album, but as a sampler of the band’s upcoming debut release. For this very reason, this review is not as thorough and has no actual score.The Preview serves as a perfect preview (how ironic, huh?) to the duo’s 2011 release and should be enough to tide old fans over, as well as win over new ones.
Standout Tracks: “Opposite of Adults”, “Bad Day (feat. Darwin Deez)”
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