It’s always fun when an indie jam is sampled and flipped into a beat for someone to rap over, something made popular recently by Chiddy Bang‘s talented producer Xaphoon Jones. This time, Power 106’s DJ Reflex gives Foster The People‘s summer anthem “Pumped Up Kicks” the remix treatment and enlists the help of none other than the extremely skilled Kendrick Lamar. Even though the Compton emcee sounds slightly out-of-place, his two bars are a quick and enjoyable listen over Reflex’s laid-back beat. Expect the blog world to jump all over this track, especially with Kendrick fresh off the release of his album Section.80 earlier this year.
MP3: Foster The People – “Pumped Up Kicks (DJ Reflex Remix) (feat. Kendrick Lamar)”
“Michael Jackson, one million dollars. You feel me? Holla.”
How’s that for a hook? Those lyrics are from Brooklyn rap trio Das Racist‘s “Michael Jackson”, the first single from their soon-to-be-released debut album Relax. The music video has now been released by MTV, featuring a Michael Jackson impersonator, some old white people, and a tribute to MJ’s 1991 video for “Black or White”. For a song that is so incredibly random, it makes sense that the video is equally as (or perhaps even more!) random. Bizarre as always, but that’s what we’ve come to expect from Das Racist.
Relax is out now on iTunes via Greedhead. You can purchase it here.
Adult Swim announced earlier today that rapper/skater collective Odd Future will be premiering their TV show Loiter Squad on their channel next year. The TV series will feature 15 minute long live-action episodes featuring sketches, man on the street segments, pranks, and music from the Los Angeles group. Produced by Dickhouse Entertainment (Johnny Knowville, Jeff Tremaine, and Spike Jonze), Loiter Squad will follow in the footsteps of Dickhouse’s previous works, including Jackass and Nitro Circus.
Tyler, the Creator has shown his directing prowess in the past, leading to his “Yonkers” video to win the VMA for Best New Artist and 22 million views on Youtube. His Thurnis Haley skits on Youtube should also provide a preview for the content we can expect on Loiter Squad.
So… this is a thing that happened…
For no discernible reason, Jack White has teamed up with the Insane Clown Posse and JEFF the Brotherhood to pay homage to the German affinity for all things anal[Editor’s note: Mozart’s “Leck Mich am Arsch”]. Since it’s been heavily reported and corroborated (and filmed), I’m relieved to note that this just wasn’t another fever dream resulting from an afternoon spent imbibing absinthe and pop rocks while filling out Mad Libs with the aid of a stack of Spin back issues.
While I can see ICP’s desire to work with actual artists, I’m more puzzled by White’s involvement. Perhaps the recent disbanding of the White Stripes has left him with an excess of free time, and lord knows there are only so many “interesting” mustaches you can grow. And I suppose JEFF the Brotherhood jumped at the chance to work with White but were (perhaps) not privy to all the details. (JTB walks into studio, sees ICP: “What the hell are you doing here? ICP: “Who the hell are you?”)
But, nonetheless, it has happened and there’s video proof. Enjoy?
And then there’s this:
Deftones‘ frontman Chino Moreno decides to throw his goatee into the ring and cranks out a witch house EP under the name †††. There’s nothing quite like an interloper insinuating himself into the genre du jour. This move will undoubtedly result in the unfortunately not-rare-enough double backfire as diehard Deftones fans reject this faster than a Canadian health care recipient’s body rejects a black market kidney. And the cool kids of death™ will have nothing to do with this nu-metal tourist.
See also: this statement from †‡† (a.k.a. Ritualz), who is upset that Moreno is stealing Unicode. The comment thread has clearly been given over to Deftones fans, whom I would gently like to remind that the band name is properly pronounced “Deft Ones.”
Two years ago, blues-rock band The Black Keys released Blakroc, the rock rap album with rappers such as Mos Def, Raekwon and Ludacris. News of Blakroc 2 has just emerged and features include Talib Kweli, Curren$y, Wiz Khalifa, the Cool Kids, Jay Electronica, U-God, Jim Jones, OC, and Sean Price. Read more to watch the trailer for the album.
The-Dream‘s new album,The Love, IV (Diary of a Mad Man), has been delayed, but that didn’t stop the R&B singer from releasing a new album today. 1977, which was first announced at the beginning of this month, has been posted for free download on The-Dream’s website and is credited under his birth name Terius Nash. The lyrics for each song have also been posted.
Says Nash via Twitter: “chances “DefJam” puts a Cease and Desist on 1977 unfortunately Very High. but i think yall will have it before lawyers make me take it down.” But for the time being, you can download the entire thing for free direct here. The full tracklisting is available after the break.
I’m not going to rehash the million justifications or re-cry the millions of tears shed for the whole of humanity. My personal stance is basically that it’s artistic expression and as such, leave it the hell alone. There’s a ton of stuff out there I won’t put myself through but I’m not going to stop anyone else from trawling the outer limits of art, no matter how offensive it might be to myself or others.
My personal take on Odd Future and their lyrical transgressions goes something like this. (Not that you will or even should care necessarily, but I’m still on this side of the keyboard, so here it goes.)
I have kids, including a teenage daughter. For no logical reason, I would not have a problem with her listening to Odd Future. (Obviously, this would probably be cause for concern at her school, especially if she made a big deal out of listening to them. But schools are constantly concerned about one thing or another and ten minutes later, a student is talking to a cop because of a t-shirt they wore or for alleged stapler possession or whatever.)
The logical catastrophe is that I would have a problem with her hanging out with people who listened to Odd Future. Outside of a few vetted friends that have provided some context as Normal Human Beings, my instinctive reaction would be to cultivate a deep mistrust of these young nihilists in the making, who in no way are appreciating Odd Future on the same level I presume I am. No, they’d be all about the dirty words and vicarious thrills. I’d follow this bit of presumption by parking the vehicles in the garage (with the alarms on) and banishing her to her room until age 22 (release dependent on a useful college degree — none of this Art Major horseshit).
Even more illogically, I’d feel better about her hanging out with Odd Future fans if she was the one who introduced them to the group. This would still be the same set of people and yet, I would view her as a Forward Thinker bringing controversial culture to a bunch of directionless, hormonal teens.
Why is that OK? The vicarious thrill of latent music snobbery. Because I introduce her to Odd Future, it therefore follows that she introduced Odd Future to them, thus making me (once again) Correct About Music.
At this point, I’ve read more lyrical quotes than I’ve actually listened to and I’ve read a million more critical pieces, both pro and con, all of which have solidified my feeling that Odd Future operate better as a caricature than a Threat To Humanity.
Still, the underlying threat is not completely nonexistent. As a parent and a human being, the feeling that someone, somewhere will view Odd Future as guidance counselors rather than entertainers is unshakable. With that coloring my reaction, it boils down to Odd Future being OK for me and my offspring, but not you and yours because yours (as an unknown quantity) will always have a greater capacity for evil than my own, not to mention they are more easily swayed by peer pressure than mine. Obviously.
But, isn’t that the purpose of art? To provoke reaction? And if so, is just getting a reaction enough? Yes. Yes. And a qualified yes. The last qualification is that if provocation is all you have, you’re on the fast track towards “shtick.” Ask Serrano. Piss Christ annoyed a hell of a lot of Christians back in the day, but when it comes to pushing buttons, pounding on fundamentalists is kid stuff. Other religions will kill you for blasphemy. Beating up on Christianity just puts you into the opening paragraph of a million chainmailed petitions. And when Serrano states that his future endeavors will involve using “feces as a medium,” maybe it’s time to stop handing out the title “artist” so freely.
Odd Future have clearly stated that they want to piss off “parents and old people who live in Middle America.” Trust me, you don’t need to go this far to piss those people off. The first group gets pissed off whenever someone suggests adding a vegetarian option to the school lunch menu and the latter gets pissed off simply because you’re “not from around here.” If these are your targets, you’re painting yourself a pretty generous target.
If you want to push past the easy thrills of provoking the easily-provoked, you’ve got to take aim at your supporters and put them through the wringer now and then. You can transcend but you’ve got to aim higher. Musicians have been pissing off Middle Americans since the early days of jazz. Odd Future, I’m behind you but you’ve got to push harder. More importantly, you’ve got to push better.
(By the way, I take back most of what I said about your kids, readers. It’s the instant superiority granted by subjective parental views that turns your kids into criminals and sex fiends and mine into misunderstood saints who are just “going through a phase.”. I’m sure they’re all wonderful human beings who would be welcome to stop by my house during Normal Visiting Hours.) [I should also get over the idea that I can control what my teenage daughter will or won’t listen to.]
The Dean’s List have released a brand new song entitled “Kruptonite Sanity Room (K.S.R.)”. Emcee Sonny Shotz begins the song with a pained commentary on his life, talking about his need for a Kryptonite Sanity Room: something “that can kill you, but keep you sane at the same time…when you start having doubts.” Fantastic production from DJ Mendoza and Mik Beats, combined with some of Sonny’s best lines yet make this song a must listen. Running six minutes and twenty-five seconds, the track is a showcase of the group’s talent, ending with Sonny saying, “I’m just talking to the people, this isn’t even a song really.” Download or stream the MP3 below.
Two of Canada’s finest (or at least most popular) team up on this new remix of Drake‘s “Trust Issues”. Justin Bieberhops on the mic to record his take of Drake’s song. Bieber’s voice seems to be taking a hit as he matures and it looks like he more than just trust issues to deal with, hitting relatively lower registers on this song compared to that of his previous work. Check it out for yourself below.
North Carolina rap legend Phonte is set to release his first ever solo release Charity Starts At Home on September 27, 2011 through FE Music. The first offering off this new project is “Not Here Anymore (feat. Elzhi)” and is produced by 9th Wonder. Phonte and 9th made up two-thirds of Little Brother, highly regarded as one of the most prominent underground rap groups of all time, before the trio officially broke up in 2010. With 9th Wonder handling the production duties, Phonte and former Slum Village member Elzhi share the mic and drop some thought-provoking, conscientious rhymes. Give it a spin below.
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