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Review: The Front Bottoms – “Talon Of The Hawk”

The Front Bottoms – Talon Of The Hawk

Talon Of The Hawk

Released: May 21, 2013
Label: Bar/None Records
Purchase: Vinyl | Casette [Sold Out] | Digital | CD

The Front Bottoms’ sophomore album Talon of the Hawk integrates the addition of two new members, Tom Warren (bass), and Ciaran O’Donnel (keys/trumpet/guitar) to play alongside Brian Sella (vocals/guitar), and Matt Uychich (drums). The album gives off a more band orientated sound, instead of simply a two piece bouncing off of each other’s energy. However, Sella’s familiar stream of consciousness implicit lyrics are very much so still present, alongside Uychich’s punchy drumming.

The first track from the release Au Revoir (Adios), is the most similar sound-wise to their self-titled and provides a nice transition to the fuller band sound which kicks off near the end of the song. Twin Size Mattress encompasses everything about The Front Bottoms; the repetition of a familiar melody throughout, and figurative lyricis. Sella loudly singing, almost yelling, “I want to contribute to the chaos, I don’t want to watch and then complain, because I am through with finding blame; that is a decision that I have made” enforce the sentimental connection that is almost guaranteed with each song. The track, Santa Monica incorporates the use of trumpet and synth melodies, and is reminiscent of their earlier song, Father as Sella promises”to be stronger than your Dad was for your Mom.” Funny You Should Ask, a personal favorite, is one of The Front Bottoms’ distinct obscure love songs, that provides an esoteric view of relationships. The lyrics, “Honey, you got to learn that love is simple, just like mud, if you play the dirt, and I’ll play the water, all we got to do is touch” leading to the refrain, “Because I was young and I thought I didn’t have to care about anything, but I’m older now and know that I should” provide a sense of realism differentiating the band’s style to others. Backflip, a fast paced anthem of regretting tattoos, good vibes and Sella’s familiar breathing techniques, shows the progression of the band sonically despite sticking to similar thematic ideas.

Talon of the Hawk may not have as many standout tracks as the self-titled, but in hindsight the bar was set so high that it would have been almost impossible to create two perfect albums in a row. This being said, due to the immense talent of the band this album does stand testament to their ability to continue to create captivating songs that will be adored by fans. After spending the last two years touring, (shown in their recently released music video for Twin Size Mattress) The Front Bottoms will begin their journey of touring again starting June 1st with a national tour. You can purchase tickets for the tour here and stream the album in its entirety via Noisey.

Standout Tracks: “Twin Size Mattress”, “Funny You Should Ask”, “Backflip”

8.5

“I just want this to mean something to anyone even if they don’t know who I am.”

Track listing:
01. Au Revoir (Adios)
02. Skeleton
03. Swear To God The Devil Made Me Do It
04. Twin Size Mattress
05. Peach
06. Santa Monica
07. The Feud
08. Funny You Should Ask
09. Tattooed Tears
10. Lone Star
11. Back Flip
12. Everything I Own

Review: In Fear and Faith – “Self-Titled”

In Fear and Faith – Self-Titled

In Fear And Faith

Released: 16th October 2012
Label: Rise Records
Purchase: CD | Digital

In Fear and Faith’s self-titled album is the first full-length to surface from the band since Imperial in summer of 2010. In between, In Fear and Faith released a symphony-based EP, Symphonies, utilizing a combination of woodwinds, brass, choir, and screaming, among other devices, to create a unique sound. In Fear and Faith is a return to the band’s true roots as metalcore, though it retains many of their distinctive elements they have picked up, as well as introducing new ones.

Like In Fear and Faith’s other albums, the lyrics of the self-titled album revolve around a single theme: mankind’s self-created apocalypse. The intro number opens with sounds of gunfire and helicopters, setting the mien of the entire album, which takes place after the world has been destroyed. The lyrics as a whole leave something to be desired, feeling a little weak in originality and employing several cliché phrases such as “I can’t last without the ones that left me/I regret the times I couldn’t see” in Last Man Stranded and “If I fall asleep, please don’t let me dream/I keep on wishing that I’ll forget those awful things I’ve seen” in Dream Catcher. However, there still are several standalone notable lines that will leave strong, positive impressions on the listener (“I’m just a sliver of the system that feeds on broken men;” “Now my lungs are filled with a creeping dose of bitter disgust for the world I used to trust”), although these pop up less often. The interesting personification of Earth in You Had Your Chance is also refreshing and a good attempt to separate the band’s lyrics from that of others in the metalcore genre.

Musically, In Fear and Faith is exceptional. Singer Scott Barnes displays an incredibly powerful voice that feels more confident than that in the songs of the band’s previous albums. Furthermore, while the band continues to encompass their unique blend of symphonic elements (seen in the ending of Self Fulfilling Prophecy as well as other tracks), other pieces experiment with electronic sounds in auto-tune and melody. The metal and screaming are not lacking in the album either; in fact, Look What You Made Me Do is one of In Fear and Faith’s heaviest tracks, and the breakdowns in some of the songs, such as A Creeping Dose and A Silent Drum, are satisfying. The album’s eighth track, Enigmatic, is actually entirely piano (played by the band’s keyboardist, Ramin Niroomand, an expert in the self-proclaimed “pianocore”) and symphony, its eerie tunes somewhat reminiscent and yet contrasting to the band’s original sound.

Since the release of this album, In Fear and Faith has been relatively silent regarding new work. So, if you’re looking for a relatively idiosyncratic band in an otherwise invariable genre, be sure to check this album out and listen to a few of their interesting tracks. It is, holistically, a symbol of their incredible talent and growth as a band.

Standout Tracks: “Look What You Made Me Do”, “A Creeping Dose”, “Self Fulfilling Prophecy”, “The Calm Before Reform”

8.0

 

Track listing:
1. Intro
2. The Calm Before Reform [ft. Dave Stephens of We Came As Romans]
3. A Silent Drum
4. Look What You Made Me Do
5. Soul Survivor
6. A Creeping Dose
7. It All Comes Out (On The Way Down)
8. Enigmatic
9. Dream Catcher
10. You Had Your Chance
11. Last Man Stranded
12. Self Fulfilling Prophecy

Track: The Story So Far – “Clairvoyant”

Acoustic The Story So Far

Track: “Clairvoyant”
Artist: The Story So Far
Release Date: May 13th 2013
Label: Pure Noise Records

Clairvoyant is the first song by Californian pop-punk band The Story So Far has released off of their upcoming split 7″ with hardcore band, Stick To Your Guns, which you can currently stream here. The song is a soft acoustic number, differing greatly from the band’s usual brand of fast, hardcore-influenced pop-punk. Lead vocalist, Parker Cannon, sings over a poignant guitar that consistently drives the track. Cannon is typically known for his powerfully raw singing style, which some describe as “angst-y yelling”. Having said this, vocalization on the song will likely come as a surprise to many fans who are accustomed to the band’s heavy vocals. Clairvoyant features a vocal melody akin to the likes of softer acts such as Into It. Over It. and Koji.

Despite the heavy amount of versatility that the song demonstrates, Clairvoyant comprises of a couple of familiar elements of The Story So Far’s music. The lyrics of the song feature certain rhythmic and rhyming qualities consistent in many of the band’s tracks. Lines like “I think you’ll notice when things become different the good vibes in our lives won’t feel so consistent” and “You might hate my words but you know that I’m right, you know that I’m right” seem to fit perfectly in any The Story So Far song. The track almost feels like it could be an acoustic version of their usual, heavier material. Overall, Clairvoyant is a very satisfying change of pace, which also serves to demonstrate the multifaceted talent of The Story So Far. The 7″ split with Stick To Your Guns will be released on June 18th, 2013. You can pre-order the vinyl LP from Pure Noise Records here!

Rating: 9/10

Single: AF THE NAYSAYER – “Imagerial Denouement (feat. Myka Nyne)”

Imagerial Denouement
Track: “Imagerial Denouement (feat. Myka Nyne)”
Artist: AF THE NAYSAYER
Release Date: April 23, 2013
Label: ReSERVED Records

Producer AF THE NAYSAYER teamed up with Myka Nyne of Freestyle Fellowship to produce Imagerial Denouement a tribute to Japanese producer Nujabes. The track combines a jazz base, looped drum machine samples, and harmonic tones, accompanied by Myka Nyne’s rap verses. Originally an instrumental, which you can stream below, produced before Nujabes death, the track has now been transformed into a pioneering musical eulogy. AF THE NAYSAYER stated, “The title is a play on words of his song Imaginary Folklore. This song was my tribute to Nujabes, because he has such a large influence on my work.” ReSERVED Records is offering the digital version (iTunes), and a 7″ limited-edition vinyl or a poster of the cover art by Wes Sumrall for a special price on their Bandcamp page.

 

Rating: 8/10

Review: elvis depressedly – “holo pleasures”

elvis depressedly – holo pleasures

holo pleaures

Released: 16th April 2013
Label: Birdtapes | Orchid Tapes
Purchase: Vinyl | Casette [Sold Out] | Digital

holo pleasures is the sixth release by lo-fi pop project, elvis depressedly and marks the first time under this moniker that there has been a full band effort. The trio that contributed to the record includes Mat Cothran on vocals, drums, and guitar, Eric Jones on guitar and bass, and Delaney Mills playing all the keyboard parts. Like most of Cothran’s work, there is the familiar lo-fi analog comfort layered on top of warbling vocals to create unparalleled mellowness and melancholy.

The first track, okay, a pop number, encompasses Cothran’s simple yet poignant lyrical style including the lyrics, “I remember becoming winter, haunted by light, true love turned to sickness in my body, stayed up all night.” The album has the some of the same vibes as Coma Cinema, Cothran’s other outfit, however what sets them apart is the difference in the coherent aesthetic of the albums. The harmonies and hooks of this release contain a medley of droned keyboard, blown out guitar strumming, and muted percussion followed by refrains such as “If there’s a cool spot in heaven, I know you’ll get in” in weird honey and “Always real, always right, always alright” in pepsi/coke suicide. The six songs that run a total of twelve minutes are meant to be listened as one in order to gain the full experience of the record.

Mat Cothran and his band members are always constantly progressing and a new release is never far away, or from any of the groups in the scene such as Julia Brown, R.L. Kelly, and Pussy Wizard. The casette form of this release is currently sold out, but you can still pick up the 7″ vinyl in either blood red or swamp green from Birdtapes, or give it a listen over at the Bandcamp page.

Standout Tracks: “okay”, “weird honey”, “pepsi/coke suicide”

8.5

“never quit, there’s always a reason to try.”

Tracklisting:
1. okay
2. pepsi/coke suicide
3. inside you
4. teeth
5. weird honey
6. thinning out