PORTALS “is a refuge for emerging talent, for the young artist who may have no other place to be heard, for music that is better than its ability to seem cool.” The mixtape is full of phenomenal indie, lo-fi, and experimental artists thus, this mixtape is a perfect accompany for a relaxed, ‘chill mega chill’ Summer. Stream it below.
Ten Stories Track-listing:
01) February 1878
02) Grist For The Malady Mill
03) East Enders Wives
04) Cardiff Giant
05) Elephant In The Dock
06) Aubergine
07) Fox’s Dream Of The Log Flume
08) Nine Stories
09) Fiji Mermaid
10) Bear’s Vision Of St. Agnes
11) All Circles
[via TheNeedleDrop]
The album portrays the jigsaw pieces of White’s career coming together to create thirteen exemplary tracks. A wide variety of genres are covered in the album from blues to garage rock, including White’s signature catchy riffs, and distorted vocals. Styles from all of his projects including The White Stripes, The Raconteurs, The Dead Weather as well as from his musical influences like Son House are all definitely present in the album. It represents White’s chance to produce a record which is truly representative of him. In his own words, “I’ve put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colors on my own canvas.”
Blunderbuss is now streaming on iTunes for free listening and will available for purchase on the 24th, including vinyl copies of the album from Third Man Records.
Blunderbuss Tracklisting:
01. Missing Pieces
02. Sixteen Saltines
03. Freedom At 21
04. Love Interruption
05. Blunderbuss
06. Hypocritical Kiss
07. Weep Themselves To Sleep
08. I’m Shakin’
09. Trash Tongue Talker
10. Hip (Eponymous) Poor Boy
11. I Guess I Should Go To Sleep
12. On And On And On
13. Take Me With You When You Go
You can stream Sky Above Quarley Hill and watch the video for “Came Into My Blood” below.
In his words: “All my songs are made in one sitting. If they don’t get finished during that period of time, then they remain that way… (This makes for lots of unfinished/empty/demo-ish songs.) I like to think it’s not because of laziness, but because when I record a song it’s made purely from what I feel at that moment. And since I’m so all over the place and inconsistent with my thoughts & feelings that to try and revisit those feelings becomes nearly impossible. These songs are my attempt at capturing those feelings and thoughts and keeping them in a little jar. These songs are moments of my life that I’ll never get back.”
For this project, Mat Cothran provides most of the vocals alongside Katie Lee, who also plays the keyboard. Cothran further contributes with guitar, keyboard and drums. Patrick Jeffords adds the bass, keyboards, and guitar while Sam Ray provides his unique Ricky Eat Acid-esque style drums and noise.
“Maim My Bitch” combines different aspects from each of the artists. The song consists of melodies created through synthesizers entangled by a constant percussion beat. Scheduled for February 29th, the three song (plus “introducing” and “outroducing” tracks) record will be available on the Gremlins bandcamp page on a “Name Your Price” basis. I recommend you check this project out as it is a unique coming together of talented artists which seek to “express a sense of panic, reality, and death.”
Sam Ray under the moniker of Ricky Eat Acid produces breathtaking ambient experimental tunes. His most recent release called “so i will not fall deep into the earth” is part of a genre titled “space punk.”
In his own words he describes the genre as “there is no point to spacepunk. it’s anti-trendy. there are no driving electronic rhythms – it lacks any post-rave, post-internet, future-pop beats. there’s nothing really. that’s it. there’s nothing. it’s music that evokes the feeling of floating endlessly and eternally through darkness. it’s inspired as much by the romanticized and unscientific idea of space as it is by sleep, heavy opiate use, and the feeling of being alone in bed, half awake on a rainy day. it’s a very sad feeling. it’s not nostalgic, but it still makes me miss everything. it’s nothing, really. you could characterize it as drone, sometimes, or ambient. i’m not really sure. it’s fun, but it’s not. it’s not post-internet, it’s post-life.”
The nine minute track gives you the feeling of floating endlessly in time and space. If you are a fan of ambient, drone or experimental music, pick up the track for free on his Bandcamp.
What are your names and what are your roles in the band?
Wil Wagner – Vocals/Guitar, Tom Lawson – Guitar/Vocals, Lee Hartney – Guitar, Michael Fitzgerald – Bass, Chris Cowburn – Drums, Vocals
What is the origin of your band’s name?
We were originally called Wil Wagner and The Smith Street Band, as a take off of Bruce Springsteen and The E Street Band, but changed the name to just the Smith Street Band as the band became more and more of a collaborative effort. (more…)
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