Track: The Story So Far – “Clairvoyant”

Track: “Clairvoyant”
Artist: The Story So Far
Release Date: May 13th 2013
Label: Pure Noise Records

Clairvoyant is the first song by Californian pop-punk band The Story So Far has released off of their upcoming split 7″ with hardcore band, Stick To Your Guns, which you can currently stream here. The song is a soft acoustic number, differing greatly from the band’s usual brand of fast, hardcore-influenced pop-punk. Lead vocalist, Parker Cannon, sings over a poignant guitar that consistently drives the track. Cannon is typically known for his powerfully raw singing style, which some describe as “angst-y yelling”. Having said this, vocalization on the song will likely come as a surprise to many fans who are accustomed to the band’s heavy vocals. Clairvoyant features a vocal melody akin to the likes of softer acts such as Into It. Over It. and Koji.

Despite the heavy amount of versatility that the song demonstrates, Clairvoyant comprises of a couple of familiar elements of The Story So Far’s music. The lyrics of the song feature certain rhythmic and rhyming qualities consistent in many of the band’s tracks. Lines like “I think you’ll notice when things become different the good vibes in our lives won’t feel so consistent” and “You might hate my words but you know that I’m right, you know that I’m right” seem to fit perfectly in any The Story So Far song. The track almost feels like it could be an acoustic version of their usual, heavier material. Overall, Clairvoyant is a very satisfying change of pace, which also serves to demonstrate the multifaceted talent of The Story So Far. The 7″ split with Stick To Your Guns will be released on June 18th, 2013. You can pre-order the vinyl LP from Pure Noise Records here!

Rating: 9/10

Ketch Harbour Wolves Release “Queen City: Volume One”

Ketch Harbour Wolves‘ third album, Queen City: Volume One, is now available to purchase from Dead Calm Records. The album consists of eight indie rock tracks that are informed by the historic and contemporary urban experience of Toronto, Canada. As a Lost In The Sound Exclusive here is our favorite song from the release, Signs Were Everywhere.

The album was recorded entirely over the winter of 2013 and was mixed by Laurence Currie at Sunnyside Studio (Wintersleep, Hey Rosetta, In-Flight Safety) and mastered by Noah Mintz at Lacquer Channel (Broken Social Scene, Hayden, The National).

Here’s what the band had to say about the album, “The content of the Queen City albums attempt to create a map of songs for Toronto arising out of specific sites within the city (Leslie Spit, Prince Edward Viaduct, Toronto Dominion Centre), weaving together history, mythology, and personal reflection into a dream-like cinematic narrative.

The title of the album refers to one of several monikers that Toronto has gone by since its foundation in the early 19th century. And yet the city shares this title with many other places throughout North America making it general and specific at the same time. Toronto serves as a backdrop for universal human emotions (love, death and longing) and Queen City: Volume One is a reminder that each of us has similar dreams and desires, no matter the location.”

The album is available stream from their website, Bandcamp and SoundCloud. For more information about the band be sure to check out their Facebook, and Twitter.

Tracklisting:
1. Pulled from the Wreckage
2. The Good Blood
3. Signs Were Everywhere
4. Should Have Learned
5. The Angelus
6. Through a Glass Darkly
7. 1992
8. The Beginning

Watch: Air Marshal Landing – “Little Town”

Air Marshal Landing’s debut record You Used To Be Me is set to be released on the 4th of June. In preparation for the release, the track Little Town is available to download on a “Name Your Price” basis from their Bandcamp page, alongside a music video which you can watch below. The video was directed by Michael Schmidt and includes, “one of us dressed in drag, one of us twirling an evil moustache, and one of us failing to be a hero.” Little Town, an indie number, contains a mention to Death Cab For Cutie’s Summer Skin alongside incorporating the surprising use of a melodica at the beginning. The electric guitar riffs accompanied by synchronised percussion give off The Strokes vibes and make you want to “dance back to where you came from!”

[youtube http://www.youtube.com/watch?v=m7At526aLco]

Stream: The Wonder Years – “The Greatest Generation”

Hopeless Records are currently streaming The Greatest Generation, the upcoming album by pop-punk band The Wonder Years, in its entirety on their Youtube channel. The band has posted a message to the fans, regarding how important it is that fans pre-order and purchase the album and how much work was put into creating the album.

“It’s 2013 and no one that wasn’t supposed to have our record got it until we mailed them out. It’s shocking and really a nice feeling that a bond of mutual respect with everyone who had the press stream kept the album where it belonged.

Now, the record is streaming so you can listen guilt free. Like I said, its 2013. I know how shit works. Music is free if you want it to be, so why pay for it? To that, I say, touché. I get it. I understand but I’d like to counter with this: it’s $10.

Crime in Stereo said this to me once and it really struck me. Just stop and think about what you’d spend $10 on; one trip to Chipotle? Going to a movie if it’s a cheap one? Maybe a t-shirt from like Urban Outfitters if its on sale? Two beers at a bar?

We put in months of our lives into this record. We sweat and we froze in a shitty practice space. We argued and fought tooth and nail over every song. We spent weeks of 15 hour days at the studio working until we physically couldn’t anymore literally getting frustrated to the point of punching walls because we didn’t get it perfect. And that doesn’t even begin to account for financial shit. But forget all that. What’s most important is that we feel all the way down to our bones that this is our best record to date and the critics seem to agree.

It’s not intended as a guilt trip or like I’m pleading with you. It’s just a suggestion: next time you’re about to go to Chipotle, maybe eat what your mom made or use your college meal card or make something yourself. The next time you’re gonna go to the bar, split a 30 rack with some buddies and drink at home. I’m suggesting you take that $10 and buy The Greatest Generation because we think it’s worth it and it matters to us as a band that you do. That’s all. Hope your lives are great. See you this summer.”

-The Wonder Years

Check out the early playlist stream of The Greatest Generation below! The album is set to be released May 14th by Hopeless Records, which you can pre-order here. The Wonder Years are set to play the entire length of the Vans Warped Tour this summer.

Listen: Way Yes – “Tog Pebbles”

Way Yes’ debut LP, Tog Pebbles has now officially been released. The lead up to this release began three years ago in Columbus, Ohio with the musical collaboration of Glenn D. Davis Sr and Travis M. Hall Sr. This was followed by adding multi-instrumentalist Maxwell N. Lewis Sr, and percussionist Timothy W.H. Horak Sr. The band’s intent is to create feel good music with a dark twist, and it appears that they are very capable of doing so.

MP3: Way Yes – “Macando”

Download Macando, an indie afro-pop saxophone laden track from the new release above, and stream Tog Pebbles in its entirety below. You can purchase Tog Pebbles from their Bandcamp page, and pick up a physical copy in CD form from Insound. For more information and tour dates check them out on Facebook.

Tracklisting:
01. Colerain
02. Money Field
03. Don’t Give Up
04. Macando
05. Get Healed
06. Rhythm of the Ants
07. Blood Line
08. Tog Pebbles
09. Piranha
10. Holy Drop