It’s been a long few years for fans of the mysterious California MC Blu since he dropped his critically-acclaimed album Below the Heavens with Exile manning the tables. In the meantime, Blu’s been working on his own production, left Warner Bros. before dropping his major label debut, and has only been releasing a few unmastered tracks every now and then.
But today, seemingly out of nowhere, Blu posted his unfinished second album with Exile, Give Me My Flowers While I Can Still Smell Them. Recorded back in 2009, the new 15-track LP is unmixed and unmastered, but the rhymes and the beats are both solid. No word on whether or not the two are collaborating again.
Give it a listen below and if you like what you hear, you can purchase the whole thing for $15 on Blu’s Bandcamp.
Director Clifton Bell teamed up with the Legendary Roots Crew on a short film for the hip-hop group’s new concept album, undun. The 9-minute-long clip features four cuts from the album, including “Sleep”, “Stomp (feat. Greg Porn)”, “Tip The Scale (feat. Dice Raw)”, and “Make My (feat. Big K.R.I.T. & Dice Raw)”. undun is now in stores everywhere and is one of my personal favorite releases of the year, describing the fall of a fictional character named Redford Stephens.
“undun is the story of this kid who becomes a criminal, but he wasn’t born criminal. He’s not the nouveau exotic primitive bug-eyed gunrunner… he’s actually thoughtful and is neither victim nor hero. Just some kid who begins to order his world in a way that makes the most sense to him at a given moment… At the end of the day… isn’t that what we all do?”
It’s really quite unfortunate that Asher Roth blew up with “I Love College”, a song that really doesn’t fit in with the rest of his repertoire. Asher is incredibly lyrical, he’s proven that he can be inspirational with songs like “G.R.I.N.D.”, and now he’s even signed to one of the legendary hip-hop labels: Def Jam. Still, people associate his name with “I Love College”. Ouch.
Anyway, Asher released the title track from his upcoming Pabst & Jazz mixtape, a smooth, jazzy cut with production from Chicago’s Blended Babies, a killer verse by Hassani Kwess, and keyboard work from Kenny Keys.
There’s plenty more of Asher on the way: Pabst & Jazz coming soon, as well as Is This Too Orange?, his first commercial release with Def Jam, in early 2012.
To celebrate reaching 10,000 fans on Facebook, Skizzy Marsdropped off a brand new song entitled “Shangri-La”, which he managed to write and record in just one day. “Shangri-La” features the young artist reflecting on his girl, New York, drugs, and more. Here’s what Skizzy has to say:
“I was in the studio last night when I realized I had just hit 10,000 fans. I’ve been writing a bunch of music recently as I continue to work on my debut project, Phases. While Phases is a story in itself, I still find myself with a bunch of other stories I want to tell due to other experiences and changes in my life etc. I got inspired to write Shangri-La and recorded it yesterday. Just another story to tell. In celebration of 10,000 fans, Shangri-La.”
Nick Cave, the frontman of alternative rock band Grinderman, has announced the end of the band. At the end of the band’s performance at the Meredith Music Festival, Nick Cave told the crowd of almost 12,000 that Grinderman is “over.” The band got together in 2006 and have released two albums with very positive reviews since. You can watch the video of “No Pussy Blues”, which was a single from their debut album Grinderman, below.
On December 19, Radiohead will finally release the digital version of The King of Limbs: Live From the Basement, along with a brand new two-song single: “The Daily Mail” and “Staircase”. In late January (the 23rd in the UK and the 31st in the US), the band will also release the DVD/Blu-Ray version of the sessions through independent record stores.
You can check out the full tracklisting and a live performance of “Staircase” on SNL below.
The King of Limbs: Live From the Basement Tracklisting:
01. Bloom
02. The Daily Mail
03. Feral
04. Little by Little
05. Codex
06. Separator
07. Lotus Flower
08. Staircase
09. Morning Mr. Magpie
10. Give Up the Ghost
11. Supercollider (Bonus Track)
It’s rarely the case that a hip-hop producer can single-handedly carry an emcee through a track. But such is the case with New Jersey’s Mike Volpe, better known by his stage name Clams Casino, who first turned heads after his collaborations with Soulja Boy and Lil B began making rounds on the Internet. With a keen sense for smooth vocal samples, Clams Casino creates dreamy, ethereal soundscapes that swallow you up and carry you away before the first crash or hi-hat even drops. And the best part of it all? His music works with or without an emcee over top.
That’s something you can’t find with new-age (pardon the pretentiousness) producers. Sure, T-Minus creates synth-laden beats with a similar loftiness, but the soundscape doesn’t even come close. Face it – a track like “She Will” needs Drake and Lil Wayne to fully function.
What may be more impressive is how all of his fantastic beats come together. “I’m God”, perhaps the defining song so far in both Clams Casino’s and Lil B’s careers, takes it roots in Imogen Heap‘s breathtaking “Just For Now”, a song that sounds nothing like “I’m God”.
That same song, “Just For Now”, was even been sampled by Clams Casino more than once. ASAP Rocky‘s “Bass”, believe it or not, comes from the very same sample. Originally intended for Lil B, Clams Casino actually reworked the beat after the Based God decided that one part of the song was a bit too fast for him, ultimately resulting in yet another song from the same sample entitled “I’m The Devil”. That part was thus taken out, slowed down, and given to Rocky.
It’s disappointing that Common‘s forthcoming LP won’t arrive until December 20. Why? That release date has two meanings to me: 1) we still have over two weeks to wait and 2) The Dreamer, The Believer won’t make it onto this year’s year-end lists. Considering My Beautiful Dark Twisted Fantasy‘s snubbing at the Grammy’s this year, here’s to hoping that Common won’t be left behind in a years time (but really, who cares about the Grammy’s, right?).
Com just dropped off yet another new song on his Soundcloud page and this time, it’s one-half of the title track. “The Believer” features a soulful hook from John Legend and follows in the footsteps of the previously released tracks with an incredibly inspirational and uplifting sound. It’s practically audio therapy.
To honor Bradley Manning, the American soldier who is currently being charged with giving defense information to WikiLeaks, singer-songwriter Cass McCombs has released a brand new song. McCombs has been extremely productive in 2011, releasing two full-length albums, and it looks like he’s poised to have yet another huge year in 2012, starting the year off with a brand new single, which will include “Bradley Manning”. You can already check it out below, but the track won’t be officially released through Domino Records until January 31st, when it will be backed by another new track entitled “Empty Promises”.
Bands:Mogwai, Wang Wen Location: Shanghai, China’s MAO Livehouse Date: November 28, 2011
Opening for a band you’ve revered for years and based your own music on must be one of the hardest things in the world. The other night, Chinese post rock band Wang Wen was put up to this very task when they solemnly took the stage as support for Glaswegian five-piece Mogwai, who were making their very first appearance in Shanghai.
And for the most part, they held their own, warming up the crowd for the main act. Aside from being surprised by the occasional, shrieking outbursts of the Shanghai concertgoers, Wang Wen found themselves enjoying the attention of a good-natured crowd hungry for some solid instrumental music. As they worked through their tremolo-heavy set, however, it became clear that people were aching to see Mogwai take their turn and the Chinese band good-naturedly wrapped things up, leaving the crew to set up and the venue to buzz excitedly about what was to come.
With a flash of lights and a blast of smoke, Stuart Braithwaite announced his band’s triumphant appearance with a few thank-you’s and waves. With that, Mogwai launched directly into Hardcore Will Never Die, But You Will‘s opening track “White Noise”. Complemented by the hazy, smoke-filled venue’s dazzling light show, Mogwai’s music hit hard, sending the crowd into uproar.
Throughout the entire set, they played a lot of old fan-favorite songs that weren’t on the new album such as “Mogwai Fear Satan”, “Auto Rock”, and “Glasgow Mega-Snake”. Each transition was masterfully planned out and it ultimately became remarkable to see Mogwai seamlessly switch from a mellow tone to one that might appear at a metal concert. The build-ups of each song were probably the most impressive aspects of the show, something the band has been heralded for in the past. And from seemingly out of nowhere, Mogwai in unison would shock the crowd with a massive drop, blasting a chord or riff at maximum volume.
Perhaps the weirdest part of the night was the end of the final twenty-minute-long encore. Pumped by the adoration of the crowd, Braithwaite began a relentless wave of, well, sound. With around five different distortion pedals laid in front of him, Braithwaite would press each one in order to intensify the escalation of the song. As he fiddled with the pedals and his amp, he refused to end, building up layer after layer of fuzzy, heart-thumping noise. Ten minutes and a few broken strings later, he finally decided enough was enough and walked off the stage with the sound still going, leaving the crowd dumbfounded but thoroughly impressed by the craftiness of the guitar legend.
Setlist:
01. White Noise
02. Ithica 27 – 9
03. How To Be a Werewolf
04. I’m Jim Morrison, I’m Dead
05. Mexican Grand Prix
06. Helicon 1
07. Auto Rock
08. You’re Lionel Richie
09. Friend of the Night
10. Hunted By A Freak
11. Mogwai Fear Satan
12. Batcat
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