Genres
Interview: The Maine
Hi there! First off, can you introduce yourself and tell us your role in the band?
Hi, my name is Pat and I play drums in The Maine.
So, Forever Halloween is set to drop on the 4th. Is there anything on the record that you think will surprise fans? How do you think Forever Halloween compares to your previous releases?
I think the album has more of a human feel than any other album we have done in the past. You can feel the energy and the connection between five people playing in a room together. I would say that is the biggest difference between our past albums; this time we learned about a different way of recording that will change the way we do things from now on.
What’re some of the lyrical themes behind the album?
That is probably a better questions for John [O’Callaghan, singer], and I do not want to speak on his behalf. But to me, what I love most about John’s writing on this album is that it comes from a very personal place. Some songs are written in a more straight-forward way, where you can really tell that it is a story that happened, which I really enjoy.
Regarding the music, what are some things you guys experimented with?
We experimented with a bunch of different sounds on this album as far as guitar/drums/ and bass tones go. I think sonically there is more of a mood than anything we have ever recorded and I think that is because of some of the tones we used. We ended up making a pretty straight forward rock album and just did what we do best, which is drums, bass, two guitars, vocals, and maybe a little bit of piano here and there. I think we made a recorded that is pretty rounded, which I am really proud of.
What was the songwriting process like for this album? Has it differed from how you’ve written previous albums?
It was kind of the same way we have gone about the past albums besides maybe Black and White but John usually comes in with an idea for a song, we get in a room and work it out as The Maine. It is pretty simple and we just do what works for us, we all add in our own flavor on top of what is really John’s vision for a song.
What would you say were your biggest inspirations when writing this album?
Our musical tastes are always growing and changing so I do not think we could really pin point any specific artists but just rock music in general was an inspiration. Listening to albums that are not recorded to be perfect but to have a feel and a vibe, that is what we took inspiration from.
You recorded Forever Halloween on analog tape instead of digitally, what was that experience like and what brought about that decision?
It was an amazing experience, it brought us back to how it felt to record the first album in the sense that we didn’t know how the recording process worked and did not understand how things were go to go down. That is a really scary thing but it is exciting and brings something different out of you. You just kind of have to let go a little which lets you make more on the spot decisions. For me I have become so comfortable with how modern digital recording works that there isn’t any fear or worry about how the process will unfold. With recording this album live it was like starting over and learning a whole new craft which is really exciting and thats when the best stuff happens.
Do you have any personal favorites off of the new record? Can you tell us a bit about them?
I change my mind on this question each time I am asked it but right now I am going to go with a song called Blood Red this song goes from being a mess to all coming together and then does that all over again. It has tons of ups and downs and a lot of what we used on the song was kind of done in anger/a joke after a late night and it captured a mood that we could not have forced. I am very excited for people to hear thats song!
You guys has come a long way from Stay Up, Get Down, how do you feel your band has progressed and evolved since your formation?
The word I would use would consistent, we have continued to evolve with each year and each release. It has just been slow and steady and it all just goes along with we are getting older along with our fans.
On separate note, what are some bands/artists that you’re currently listening to?
I have been listening to a lot of Weatherbox, Pavement, The Replacements.
You’re set to embark on tour with Brighten, A Rocket To The Moon and This Century this summer. What’re somethings you’re excited for about it?
Everything!! We will be with our best friends and playing some new music along with old music. It is going to be a great time.
Since we’re on the topic of tours, can you share a tour story with us?
A few months ago we were driving through Texas and a car coming the other way on the freeway flipped over into our lane and kid flew out of the back of the car. The kid landed on his feet and didn’t have a scratch on his body. We were able to stop in time and did not hit the car but we all got out of the van to help the people in the car and John was kind of shaken up by seeing the car flip over and the kid fly out that he passed out. It was a pretty crazy day to say the least.
That is insane. Thanks for taking the time to talk with us! Any last words?
Thank you!! Very excited for people to hear Forever Halloween on June 4th.
You can pre-order Forever Halloween from The Maine’s website, and download their new track Love and Drugs by clicking here.
Track: The Story So Far – “Clairvoyant”
Track: “Clairvoyant”
Artist: The Story So Far
Release Date: May 13th 2013
Label: Pure Noise Records
Clairvoyant is the first song by Californian pop-punk band The Story So Far has released off of their upcoming split 7″ with hardcore band, Stick To Your Guns, which you can currently stream here. The song is a soft acoustic number, differing greatly from the band’s usual brand of fast, hardcore-influenced pop-punk. Lead vocalist, Parker Cannon, sings over a poignant guitar that consistently drives the track. Cannon is typically known for his powerfully raw singing style, which some describe as “angst-y yelling”. Having said this, vocalization on the song will likely come as a surprise to many fans who are accustomed to the band’s heavy vocals. Clairvoyant features a vocal melody akin to the likes of softer acts such as Into It. Over It. and Koji.
Despite the heavy amount of versatility that the song demonstrates, Clairvoyant comprises of a couple of familiar elements of The Story So Far’s music. The lyrics of the song feature certain rhythmic and rhyming qualities consistent in many of the band’s tracks. Lines like “I think you’ll notice when things become different the good vibes in our lives won’t feel so consistent” and “You might hate my words but you know that I’m right, you know that I’m right” seem to fit perfectly in any The Story So Far song. The track almost feels like it could be an acoustic version of their usual, heavier material. Overall, Clairvoyant is a very satisfying change of pace, which also serves to demonstrate the multifaceted talent of The Story So Far. The 7″ split with Stick To Your Guns will be released on June 18th, 2013. You can pre-order the vinyl LP from Pure Noise Records here!
Rating: 9/10
Ketch Harbour Wolves Release “Queen City: Volume One”
The album was recorded entirely over the winter of 2013 and was mixed by Laurence Currie at Sunnyside Studio (Wintersleep, Hey Rosetta, In-Flight Safety) and mastered by Noah Mintz at Lacquer Channel (Broken Social Scene, Hayden, The National).
Here’s what the band had to say about the album, “The content of the Queen City albums attempt to create a map of songs for Toronto arising out of specific sites within the city (Leslie Spit, Prince Edward Viaduct, Toronto Dominion Centre), weaving together history, mythology, and personal reflection into a dream-like cinematic narrative.
The title of the album refers to one of several monikers that Toronto has gone by since its foundation in the early 19th century. And yet the city shares this title with many other places throughout North America making it general and specific at the same time. Toronto serves as a backdrop for universal human emotions (love, death and longing) and Queen City: Volume One is a reminder that each of us has similar dreams and desires, no matter the location.”
The album is available stream from their website, Bandcamp and SoundCloud. For more information about the band be sure to check out their Facebook, and Twitter.
Tracklisting:
1. Pulled from the Wreckage
2. The Good Blood
3. Signs Were Everywhere
4. Should Have Learned
5. The Angelus
6. Through a Glass Darkly
7. 1992
8. The Beginning
Watch: Air Marshal Landing – “Little Town”
Air Marshal Landing’s debut record You Used To Be Me is set to be released on the 4th of June. In preparation for the release, the track Little Town is available to download on a “Name Your Price” basis from their Bandcamp page, alongside a music video which you can watch below. The video was directed by Michael Schmidt and includes, “one of us dressed in drag, one of us twirling an evil moustache, and one of us failing to be a hero.” Little Town, an indie number, contains a mention to Death Cab For Cutie’s Summer Skin alongside incorporating the surprising use of a melodica at the beginning. The electric guitar riffs accompanied by synchronised percussion give off The Strokes vibes and make you want to “dance back to where you came from!”
[youtube http://www.youtube.com/watch?v=m7At526aLco]Stream: The Wonder Years – “The Greatest Generation”
“It’s 2013 and no one that wasn’t supposed to have our record got it until we mailed them out. It’s shocking and really a nice feeling that a bond of mutual respect with everyone who had the press stream kept the album where it belonged.
Now, the record is streaming so you can listen guilt free. Like I said, its 2013. I know how shit works. Music is free if you want it to be, so why pay for it? To that, I say, touché. I get it. I understand but I’d like to counter with this: it’s $10.
Crime in Stereo said this to me once and it really struck me. Just stop and think about what you’d spend $10 on; one trip to Chipotle? Going to a movie if it’s a cheap one? Maybe a t-shirt from like Urban Outfitters if its on sale? Two beers at a bar?
We put in months of our lives into this record. We sweat and we froze in a shitty practice space. We argued and fought tooth and nail over every song. We spent weeks of 15 hour days at the studio working until we physically couldn’t anymore literally getting frustrated to the point of punching walls because we didn’t get it perfect. And that doesn’t even begin to account for financial shit. But forget all that. What’s most important is that we feel all the way down to our bones that this is our best record to date and the critics seem to agree.
It’s not intended as a guilt trip or like I’m pleading with you. It’s just a suggestion: next time you’re about to go to Chipotle, maybe eat what your mom made or use your college meal card or make something yourself. The next time you’re gonna go to the bar, split a 30 rack with some buddies and drink at home. I’m suggesting you take that $10 and buy The Greatest Generation because we think it’s worth it and it matters to us as a band that you do. That’s all. Hope your lives are great. See you this summer.”
-The Wonder Years
Check out the early playlist stream of The Greatest Generation below! The album is set to be released May 14th by Hopeless Records, which you can pre-order here. The Wonder Years are set to play the entire length of the Vans Warped Tour this summer.
Listen: Way Yes – “Tog Pebbles”
MP3: Way Yes – “Macando”
Tracklisting:
01. Colerain
02. Money Field
03. Don’t Give Up
04. Macando
05. Get Healed
06. Rhythm of the Ants
07. Blood Line
08. Tog Pebbles
09. Piranha
10. Holy Drop
Watch: Pierce The Veil – “Bulls In The Bronx”
Post-hardcore band Pierce The Veil are premiering the new music video for their song, Bulls In The Bronx, on their Vevo Youtube channel. The song is the fifth track off of their latest album, Collide With The Sky, released last year. Along with Bulls In The Bronx, the band has also shot and released videos for the songs King For A Day and Hell Above.
The band are currently on their month-long sold out Spring Fever Tour, with co-headliner All Time Low and supporters Mayday Parade and You Me At Six. Pierce The Veil celebrated Cinco de Mayo last Sunday by releasing their third signature hot sauce, Ragin’ Cajun, which is available for purchase here. Check out the new music video below!
Donate: Tristâme – “Common Ground”
“In a crisis that has left 70,000 plus dead, countless more injured and over one million refugees fighting to stay alive, it is imperative to find a common ground and to gather all efforts to decrease the level of suffering.”
The New York Based, Syrian born, singer-songwriter Rami under the moniker of Tristâme, has released a four-song charity EP titled Common Ground. His hopes are to inspire others to take notice of the civil war that still grips his homeland, Syria. The genre of Common Ground is alternative atmospheric rock and was co-produced, recorded, and mixed by Jonathan Jetter at Right Angle Recording in New York.
In Rami’s own words about the release, “Suddenly music became a refuge from all sense of powerlessness and helplessness that I and many Syrian friends have felt. It became a gateway from all the negativity in the news and provided an opportunity to channel my energy into something positive – a cathartic experience that in the end would provide help to fellow Syrians in need.”
Common Ground is available to stream below and can be purchased from CD Baby or iTunes with all proceeds from the sales going towards organisations helping Syrian refugees. For more information check out Tristâme’s Facebook and Twitter pages.
Watch: The Wonder Years – “The Bastards, The Vultures, The Wolves”
Single: AF THE NAYSAYER – “Imagerial Denouement (feat. Myka Nyne)”
Artist: AF THE NAYSAYER
Release Date: April 23, 2013
Label: ReSERVED Records
Producer AF THE NAYSAYER teamed up with Myka Nyne of Freestyle Fellowship to produce Imagerial Denouement a tribute to Japanese producer Nujabes. The track combines a jazz base, looped drum machine samples, and harmonic tones, accompanied by Myka Nyne’s rap verses. Originally an instrumental, which you can stream below, produced before Nujabes death, the track has now been transformed into a pioneering musical eulogy. AF THE NAYSAYER stated, “The title is a play on words of his song Imaginary Folklore. This song was my tribute to Nujabes, because he has such a large influence on my work.” ReSERVED Records is offering the digital version (iTunes), and a 7″ limited-edition vinyl or a poster of the cover art by Wes Sumrall for a special price on their Bandcamp page.
Rating: 8/10
Connect